Mamani in El Alto

Filmstill Mamani in El Alto

Mamani in El Alto

Mamani in El Alto
Heinz Emigholz
Camera Lucida 2022
Documentary Film
95 minutes
without dialogue

As a pioneer of Neo-Andean architecture, Freddy Mamani Silvestre attracts attention far beyond the borders of Bolivia. His non-conformist designs are influenced by the culture of the Aymara, the biggest ethnical group in the country, echoing their myths and patterns. Buildings constructed between 2008 and 2021 are circled, inspected and captured, in part 35 of the ongoing series “Photography and beyond”.

Like giant jewels, the Cholets rise into the sky above the Bolivian city of El Alto, at 4,000 metres above sea level. Cholets, a neologism created from chalet and Cholo, the local term for indigenous people, are the creations of architect Freddy Mamani Silvestre, born in 1971. Several dozen buildings designed by him adorn the otherwise fairly unglamorous city otherwise mainly dominated by raw red brick. Mamani’s built fantasies, on the other hand, are striking, arrogant and bold. Snakes seem to be slithering up their facades, scattered diamonds cling to the glazing and occasionally the whole thing is crowned by a stand-alone residential building. But the Cholets are mainly used for festivities, because they house the so-called “salones de eventos”. Emigholz unlocks psychoactive places that evoke the interior of pinball machines and, in their confident splendour, triumph over the richer neighbouring city of La Paz.
Carolin Weidner

Credits DOK Leipzig Logo

Heinz Emigholz
Heinz Emigholz
Heinz Emigholz, Till Beckmann
Till Beckmann, Heinz Emigholz
Frieder Schlaich, Irene von Alberti
Ueli Etter, Christian Obermaier, Jochen Jezussek
Andreas Reihse
World Sales
Frieder Schlaich