Partner Events
Dokumentarfilm meets Filmvermittlung – We Have a Match!
Filmvermittlung als Form des nachhaltigen Audience-Developments
Künstlerische Dokumentarfilme begeistern bei Festivals regelmäßig ein großes Publikum. Doch beim nächsten Auswertungsschritt wird es oft kompliziert – nicht immer gelingt der große Kinostart. Gerade Dokumentarfilmen bietet der Einsatz in Bildungszusammenhängen die Möglichkeit, mit Schulvorstellungen oder Community-Screenings ein dankbares und zahlreiches Publikum zu finden. Das gilt besonders dann, wenn die Filme ihren künstlerischen Ausdruck nicht zugunsten von Formatvorgaben einschränken, sondern sich erzählerische Freiheiten nehmen und Sehgewohnheiten hinterfragen und weiterentwickeln. Filmvermittlung kann genau hier ansetzen: die Wirkung filmischer Mittel untersuchen und dennoch mit Inhalten in schulischen und außerschulischen Kontexten anschlussfähig sein.
Wie finden Dokumentarfilme ihren Weg in Bildungszusammenhänge? Wie unterscheidet sich die Vermittlung von dokumentarischen und fiktionalen Filmen? Welche Chancen bietet die Filmvermittlung langfristig für Dokumentarfilme?
Language
German
Zugang
Öffentlich
Konzept und Moderation
Luc-Carolin Ziemann (sie/ihr)
Filmvermittlerin, Kuratorin, Dramaturgin
Podiumsgäst*innen
Leopold Grün (er/ihm)
Leitung Vision Kino, Dokumentarfilmregisseur
Susanne Kim (sie/ihr)
Dokumentarfilmregisseurin
Stefan Kloos (er/ihm)
Verleiher und Produzent
Martin Ostermann (er/ihm)
Leitung Katholisches Filmwerk
When & Where
Good Doc, Bad Doc? Introducing the Ethics Resource Library
Where can documentary filmmakers turn for guidance when they face ethical dilemmas on their projects? In the summer of 2025, the Documentary Producers Alliance launched the Ethics Resource Library, a free and practical tool to support ethical decision-making at all stages of production. In this frank, judgment-free conversation, DOK Leipzig 2025 filmmakers share how they’ve navigated real-life challenges in their own work as we explore the relevant resources available in the Library.
Co-hosted by The Documentary Producers Alliance
Language
English
Access
Accredited guests welcome
Moderation
Samuel Döring (they/he)
Filmmaker, Germany
Panellists
Zaradasht Ahmed (he/him)
Documentary Filmmaker, Indie Film as, Norway
Laura Coppens (she/her)
Director/producer/lecturer in visual anthropology, Srikandi Films/University of Bern, Germany/Switzerland
When & Where
Labour Conditions for Festival Workers: Roundtable & Fair Festival Award Launch
Join us for the launch of the 4th Fair Festival Award survey, taking the pulse of film festival workers in Germany and celebrating festivals that champion fairer labour conditions. In a roundtable discussion, festival workers and directors will share best practices and explore how to make festival work more sustainable for festivals and their increasingly international teams.
Since 2016, AG Festivalarbeit in ver.di, the Workgroup Festival Labour within ver.di, has been working to promote fair labour conditions for film festival workers in Germany. Since 2021, we use anonymous surveys of film festival workers to award the Fair Festival Award to a festival that demonstrates good practice – to raise awareness for the challenges festival workers as well as festivals are facing.
Language
English
Access
Accredited guests welcome
Moderator
Andrea Kuhn (she/her)
Festival Director, Nuremberg International Human Rights Film Festival
Panellists
Svenja Böttger (she/her)
Managing & Artistic Director, Filmfestival Max Ophüls Preis
Michelle Carey (she/her)
Selection Committee, International Film Festival Rotterdam
Susana Fernandez (she/her)
Film Industry Programmer, Freelance
Afsun Moshiry (she/her)
Cultural Practitioner, Berlinale Forum & Interforum Script Pitch
When & Where
AI in Animation: Curse, Blessing, or Both
In times of short videos on streaming platforms, we are flooded with animations – often quickly produced and of questionable quality. Therefore, the industry faces a central question: Where is the medium of animation heading? The AI technological shift is changing not only production processes but also the viewing habits of audiences.
The panel invites a constructive discussion on exploring how creative, personal voices and styles can stand out and prevail in the oversupply of purely AI-generated content. And how can we counter the impoverishment of visual language driven by AI and budget cuts – especially in animation for children and young adults? What opportunities exist for alliances in artistic animation to gain visibility? And does the current trend toward “adult animation” open up new possibilities for more complex and bolder content?
Language
English
Access
Accredited guests welcome
The recording of the event will be available on this page the day after.
Moderator
Maurice van Brast (he/him)
Independent producer and writer, Germany
Panellists
Rèka Bucsi (she/her)
Animation Filmmaker, Hungary
Alexa Steinbrück (she/her)
Software Developer and Artist, Superstruktur
Germany
Tristan Schulze (he/him)
Professor for Design Practices with Artificial Intelligence, School of Design, Mainz University of Applied Sciences
Germany
When & Where
FLINTA* Perspectives in Documentary
In collaboration with WIFT Germany, DOK Leipzig invites you to a networking event that centers around FLINTA* (women, lesbians, inter, non-binary, trans, agender) creatives in the documentary industry. International FLINTA* keynote speakers share their perspectives as feminist, and intersectional storytellers, while the event creates a room for exchange, where inspiration, dialogue, and collaboration feed off each other across countries.
Language
English
Access
Accredited guests welcome
Panellists
Karoline Rößler (she/her)
Filmmaker, Director of "Intersection - It's political", Filmuniversität Babelsberg KONRAD WOLF, Germany
Lucia Cavalchini (she/her)
Producer, deputy director at Ambulante Documentary Film Tour, Fedora Productions, Mexico
When & Where
Funded by the European Union. Views and opinions expressed are however those of the author(s) only and do not necessarily reflect those of the European Union or the MEDIA sub-programme of Creative Europe. Neither the European Union nor the granting authority can be held responsible for them.