What is left when everything fades away? An old photographer tries to reconstruct people and events by means of old photographs, but they keep slipping away from him, vanishing in the dark, washed away by the waves. In his 2D animated film, rendered in black and white, Anton Dyakov not only shows how memories are lost, but also how they sometimes haunt and overwhelm us – for example in the shape of a disturbing archive fragment of blurred war photos. “Black Box” deals with loss and grief from a personal, yet universal perspective, while referencing the culture of remembrance in the digital age which is increasingly managing – or seeking to manage – without the haptic assurance of a printed photo.

Marie Ketzscher

Created using still and moving images sourced from NASA’s STEREO satellite solar observation mission, “Black Rain” turns unprocessed scientific data into a raw and glitched-out perspective on nearby interplanetary space. Embracing the artefacts, the film gives us an unmanicured and almost voyeuristic view of space, distant from the glamour of sci-fi or the carefully colourised images normally released by NASA to the press, as we track solar winds, coronal mass ejections and passing comets, sometimes recognisable only as blurs of lines and pixels, across a monochrome background of stars and the milky way.

Ben Sassen