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Animation Perspectives
Filmstill Breaking the Law
Breaking the Law
Franz Impler
The playground is empty. Everyone is at home, in lockdown. Except for a pear-shaped 3D figure plodding through the gravelly sand on thin legs, wearing chunky sneakers, towing a balloon.
2020
Filmstill Breaking the Law

Breaking the Law

Breaking the Law
Franz Impler
Animation Perspectives
Animated Film
Germany
2020
1 minute
without dialogue
Subtitles: 
None
No Premiere
April 2020: The playground is empty and quiet, with a sadly fluttering barrier tape that nobody cares about because everyone is at home in lockdown. Except for a pear-shaped 3D figure which pads searchingly through the gravelly sand on thin legs, in chunky sneakers. It is towing an exhausted balloon with a frozen smile and – chunky sneakers. The dangling balloon hands pat the lonely rule-breaker from above. Franz Impler’s poetic and playfully condensed snapshot lets us empathise with an indescribable, exceptional situation in all its melancholy and absurdity.

André Eckardt

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29.10.
#474
Passage Kinos Wintergarten
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29.10.2026
Passage Kinos Wintergarten
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Credits DOK Leipzig Logo

Director
Franz Impler
Producer
Franz Impler
Animation
Franz Impler
Animation Technique
3D Digital

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Animation Perspectives
Filmstill Changeover
Changeover
Franz Impler
A devious blue Cheshire cat sets her own mischievous, magical rules of the game, driving a tennis player to despair. The court keeps rotating and turns him into his own opponent.
2022
Filmstill Changeover

Changeover

Changeover
Franz Impler
Animation Perspectives
Animated Film
Germany
2022
1 minute
without dialogue
Subtitles: 
None
No Premiere
A tennis player is driven to despair by his opponent, a devious blue Cheshire cat. After her serve, she uses wicked magic to manipulate the spatial coordinates and establishes the one, ruthless rule: Now the court keeps rotating and with every return the player, long-since destined to lose, crowns himself the invincible opponent. A creative tennis nightmare.

André Eckardt

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29.10.
#474
Passage Kinos Wintergarten
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29.10.2026
Passage Kinos Wintergarten
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Credits DOK Leipzig Logo

Director
Franz Impler
Producer
Franz Impler
Animation
Franz Impler
Animation Technique
3D Digital

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Animation Perspectives
Filmstill Fiddlehead / Happy Mondays: Tart Tart [excerpt]
Fiddlehead / Happy Mondays: Tart Tart [excerpt]
Anton Cla
Somewhere between fascination and shock we gradually begin to recognise what is moving here. A bodyless, overgrown head sings with an otherworldly voice in a salmon-red universe.
2024
Filmstill Fiddlehead / Happy Mondays: Tart Tart [excerpt]

Fiddlehead / Happy Mondays: Tart Tart [excerpt]

Fiddlehead / Happy Mondays: Tart Tart [excerpt]
Anton Cla
Animation Perspectives
Animated Film
Belgium
2024
1 minute
English
Subtitles: 
None
No Premiere
Somewhere between fascination and shock we slowly begin to make out what is moving here as a grey, overgrown mass. A bodyless head sings in a salmon-red universe. The voice is borrowed from Shaun Ryder, the lead singer of the Happy Mondays, whose already drawling rap is slowed down to an unreal slow motion here. The song quoted, “Tart, Tart”, is about a tragic, lonely death. A small, effective experiment using the Face Cap software.

André Eckardt

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29.10.
#474
Passage Kinos Wintergarten
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29.10.2026
Passage Kinos Wintergarten
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Director
Anton Cla
Producer
Anton Cla
Animation
Anton Cla
Animation Technique
3D Digital

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Animation Night
Filmstill Galaxies
Galaxies
Lillian F. Schwartz
A pioneer of computer animation transforms NASA’s galaxy simulations into hypnotic images. Using colour, distortion and superimposition, Lillian Schwartz distils data into visionary art.
Filmstill Galaxies

Galaxies

Galaxies
Lillian F. Schwartz
Animation Night
Experimental Film
USA
1974
4 minutes
without dialogue
Subtitles: 
None
No Premiere

Pioneering multimedia artist and computer animator Lillian Schwartz created “Galaxies” during the early period of her 33-year tenure as artist-in-residence at renowned North American research facility Bell Labs. The piece draws on modeled simulations of galaxies from NASA’s Langley Research Center, which were rendered on a powerful mainframe computer and given to Schwartz to turn into a complete film. Schwartz, who had a background in Japanese calligraphy and painting and whose work often intersects art and technology, approached the material creatively, layering, distorting and colourising the images to breathe new life into the scientific data, with visually striking effect.

Ben Sassen

Photosensitivity warning: Contains flashes of light that may trigger seizures for people with visual sensitivities.

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30.10.
#5A2
Schaubühne Lindenfels
Teil der Kompilation
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30.10.2026
Schaubühne Lindenfels
#5A2
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Director
Lillian F. Schwartz
Score
F. Richard Moore

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The Henry Ford
Animation Night
Filmstill Green Planet
Green Planet
Piotr Kamler
A sandy desert planet, 28 trillion kilometres from earth. Its inhabitants live without sunlight, produce time and love music. A masterful sand animation.
Filmstill Green Planet

Green Planet

La planète verte
Piotr Kamler
Animation Night
Animated Film
France
1966
9 minutes
French
Subtitles: 
English
No Premiere

The RK12 galaxy is twenty-eight billion kilometres away from earth and contains a sandy desert planet inhabited by an extraterrestrial species. Without sunlight, these creatures live off the energy of movement itself. They produce time, love music and push their mortal gods back into space when they are tired of them. A fictitious reportage that showcases Piotr Kamler’s extraordinary skill. In addition to a feature-length sci-fi film, the Polish avant-garde film artist created a number of original and technically outstanding short films. “Green Planet” is a masterful stop motion animation in which Kamler brings delicate shapes made of fine sand to life. Carefully directed lighting, contrasts and focus create a fantastical world whose spatial depth is impressive. The music by Ivo Malec, a pioneer of electro-acoustic and New Music, reinforces the otherworldly atmosphere of the distant setting.

Franka Sachse

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30.10.
#5A2
Schaubühne Lindenfels
Teil der Kompilation
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30.10.2026
Schaubühne Lindenfels
#5A2
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Credits DOK Leipzig Logo

Director
Piotr Kamler
Script
Jacques Sternberg
Producer
Societé des Films d'Art et de Culture
Score
Yvo Malec
Animation Technique
Sand

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aaaProduction
Animation Perspectives
Filmstill Hidden Message
Hidden Message
Franz Impler
Strange animal-like creatures poke their heads out of neatly trimmed hedges and chant a bizarre hymn in unison. What a brief anarchic moment on such a lovely, bright day.
2025
Filmstill Hidden Message

Hidden Message

Hidden Message
Franz Impler
Animation Perspectives
Animated Film
Germany
2025
1 minute
without dialogue
Subtitles: 
None
No Premiere
A fluffy pink animal creature pokes its head out of a precisely trimmed green hedge column, singing a euphoric motif, its voice radiating the charm of a vintage synthesizer. Twin creatures with twin voices join from neighbouring hedges, an exhilarating beat resonates. An unhinged anthem with few beats, a brief anarchic moment on this lovely, bright day.

André Eckardt

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29.10.
#474
Passage Kinos Wintergarten
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29.10.2026
Passage Kinos Wintergarten
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Credits DOK Leipzig Logo

Director
Franz Impler
Producer
Franz Impler
Animation
Franz Impler
Animation Technique
3D Digital

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German Competition Documentary Film
Filmstill Hotel Utopia
Hotel Utopia
Julia Groteclaes
An abandoned luxury hotel at a Bulgarian ski resort is supposed to be converted into a co-living space for digital nomads: a business idea which doesn’t factor in the local population.
Filmstill Hotel Utopia

Hotel Utopia

Hotel Utopia
Julia Groteclaes
German Competition Documentary Film
Documentary Film
Germany
2026
86 minutes
English,
German,
Bulgarian
Subtitles: 
German, English
German subtitles
World premiere

They develop software, work as lifestyle coaches, own marketing agencies or an Amazon shop, travel around the world without paying for accommodation: digital nomads for whom a laptop on a suitcase is sometimes enough of a workplace. Some of their aspirations fall by the wayside in the process and become the project of an enterprising Munich-based developer: Mathias is courting rootless individualists and clever investors to become backers of a project that is to turn a deserted former luxury hotel in the Bulgarian mountains into a hip coworking space. He promises a sense of community, intense human connections and few taxes, an outdoor pool and a campfire idyll. While the nomads who dream of home are waiting for the utopia to become reality, the residents of the surrounding villages sense a new “Wind of Change” with some scepticism. A brilliant structural analysis of a business model that capitalises on modern longings and knows how to carve out the necessary space.

Jan Künemund

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27.10.
#212
CineStar 2
Hotel Utopia
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27.10.2026
CineStar 2
#212
Hotel Utopia
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30.10.
#581
UT Connewitz
Hotel Utopia
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30.10.2026
UT Connewitz
#581
Hotel Utopia
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01.11.
#7B3
Schauburg
Hotel Utopia
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01.11.2026
Schauburg
#7B3
Hotel Utopia
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Credits DOK Leipzig Logo

Director
Julia Groteclaes
Cinematographer
Sina Diehl
Editor
Wolfgang Purkhauser
Producer
Frank Carsten Walter, Manuel Rees, Hannah Buhr, Paradoks Film
Co-Producer
Filmakademie Baden-Württemberg
Sound
Resonanz Kollektiv
Sound Design
Resonanz Kollektiv
Score
Jonas Vogler

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Nominated for: MDR Film Prize, DEFA Sponsoring Prize, VER.DI Prize for Solidarity, Humanity and Fairness, film.land.sachsen Award
International Competition Documentary Film
Filmstill How to Catch a Butterfly
How to Catch a Butterfly
Kiriko Mechanicus
Racially motivated femicides. The director writes letters to the perpetrator in prison, blending projection with performance. A self-interrogation about the fetishisation of Asian women.
Filmstill How to Catch a Butterfly

How to Catch a Butterfly

How to Catch a Butterfly
Kiriko Mechanicus
International Competition Documentary Film
Documentary Film
Netherlands
2026
26 minutes
English,
Japanese
Subtitles: 
English
German premiere
What is behind the fetishisation of Asian women? This is the question which Kiriko Mechanicus uses to structure her intense, hyper-referential essay film, taking up a criminal case at the start: Robert Aaron Long shot and killed a series of women, primarily of Asian origin, in Atlanta, Georgia, in 2001. She starts writing letters to him in prison: “Maybe in some way you remind me of many of my ex-boyfriends.” By weaving together sexuality, projection and performance, the director sets off down an uncomfortable path, which simultaneously becomes a process of self-interrogation: to what extent did she slip into the role of the submissive Japanese woman in the past? Or “When was the last time I didn’t pretend to be your prey and you weren’t trying to hunt me down?” “How to Catch a Butterfly” examines the pins holding the director’s wings in place – and removes them in a charged act of self-empowerment.

Carolin Weidner

Contains mentions of murder, racism

Contains depictions of racism

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27.10.
#231
CineStar 5
Teil der Kompilation
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27.10.2026
CineStar 5
#231
Teil der Kompilation
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29.10.
#471
Passage Kinos Wintergarten
Teil der Kompilation
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29.10.2026
Passage Kinos Wintergarten
#471
Teil der Kompilation
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31.10.
#663
Passage Kinos Astoria
Teil der Kompilation
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31.10.2026
Passage Kinos Astoria
#663
Teil der Kompilation
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01.11.
#774
Passage Kinos Wintergarten
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01.11.2026
Passage Kinos Wintergarten
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Credits DOK Leipzig Logo

Director
Kiriko Mechanicus
Cinematographer
Kiriko Mechanicus
Editor
Marieke Schoenmakers
Producer
Ilja Roomans
Sound
Kiriko Mechanicus
Sound Design
Levi Cuijpers
Score
Anne Teikari

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World Sales
Ilja Roomans
DocMakers
ilja@docmakers.nl
Nominated for: Silver Dove
Animation Perspectives
Filmstill Joeri is verliefd (maar...) + Zijn hart ligt op de grond (maar...)
Joeri is verliefd (maar...) + Zijn hart ligt op de grond (maar...)
Anton Cla
Joeri is in love without being loved, a choir teases. The feelings of the boy, a curly-haired redhead in a colourful striped shirt, become a stage for strange dream images.
Filmstill Joeri is verliefd (maar...) + Zijn hart ligt op de grond (maar...)

Joeri is verliefd (maar...) + Zijn hart ligt op de grond (maar...)

Joeri is verliefd (maar...) + Zijn hart ligt op de grond (maar...)
Anton Cla
Animation Perspectives
Animated Film
Belgium
2026
9 minutes
Dutch
Subtitles: 
None
No Premiere
Joeri is in love without being loved, a schoolyard-like choir teases him again and again, hysterically working themselves up into a frenzy of malice. Driven by fear, the curly-haired redhead in the colourful striped shirt leaps into the void. The empty space around him condenses to a claustrophobic confinement consisting of his own reflections. Suddenly a dark landscape opens, peppered with strange dream images. Anton Cla transforms the confused feelings of a romantically inclined adolescent into a surreal theatre space whose dynamics will leave you spellbound. Belgian composer Michiel De Naegel finds a perfect home for his fictional character Joeri Chipsvingers and his world of sound in Cla’s animation.

André Eckardt

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29.10.
#474
Passage Kinos Wintergarten
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29.10.2026
Passage Kinos Wintergarten
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Credits DOK Leipzig Logo

Director
Anton Cla
Score
Michiel De Naegel, Joeri Chipsvingers
Animation
Anton Cla
Animation Technique
3D Digital

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Animation Perspectives
Filmstill Nothing to Expect
Nothing to Expect
Franz Impler
A neglected plant, a flat coke, being all alone: boredom takes hold, despite online contacts with the outside world. Hope gradually fades. Will the next online order bring salvation?
Filmstill Nothing to Expect

Nothing to Expect

Nothing to Expect
Franz Impler
Animation Perspectives
Animated Film
Germany
2023
4 minutes
English
Subtitles: 
None
No Premiere
Left to one’s own devices, the appeal of internet posts has faded, boredom and nonsensical ideas take hold: Can the neglected plant be revived with a flat coke? Talking to oneself because there is nobody else. The outside world only shows up in the shape of a dishevelled pizza boy at the door. The hope for the new in-line skates with the cryptic name YMI-2142 you ordered and indeed any hope at all is safest from disappointment when you no longer expect anything. The world of the main character in Franz Impler’s 3D animation is colourful, free of edges and brimming with kindness, which makes the realisation that life can simply move forward without one even sadder.

André Eckardt

Photosensitivity warning: Contains flashes of light that may trigger seizures for people with visual sensitivities.

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29.10.
#474
Passage Kinos Wintergarten
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29.10.2026
Passage Kinos Wintergarten
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Credits DOK Leipzig Logo

Director
Franz Impler
Producer
Franz Impler
Animation
Franz Impler
Animation Technique
3D Digital

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Animation Night
Filmstill World
World
Jordan Belson
Nebulous gaseous spheres melt into membranes, while the spark of life condenses into a super-mind. The birth of a world as a bio-astronomical event.
Filmstill World

World

World
Jordan Belson
Animation Night
Experimental Film
USA
1970
6 minutes
without dialogue
Subtitles: 
None
No Premiere

In fluid sequence, the birth of a world is depicted as a bioastronomical event. Nebulous, whirling gaseous spheres condense, becoming molten membranes, then a flashing planet. Descent into its erupting electronic forces, to the nucleus, finds the life-spark doubling and multiplying, ascending toward consciousness, into crystal symmetries. An awareness of the whole is focused into the beginning of superconsciousness. This film was preserved with the support of the National Film Preservation Foundation.

Pyramid Films

Photosensitivity warning: Contains flashes of light that may trigger seizures for people with visual sensitivities.

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30.10.
#5A2
Schaubühne Lindenfels
Teil der Kompilation
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30.10.2026
Schaubühne Lindenfels
#5A2
Teil der Kompilation
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Credits DOK Leipzig Logo

Director
Jordan Belson
Sound
Andre Vandenbroeck

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Main Contact
Center For Visual Music