Pioneering multimedia artist and computer animator Lillian Schwartz created “Galaxies” during the early period of her 33-year tenure as artist-in-residence at renowned North American research facility Bell Labs. The piece draws on modeled simulations of galaxies from NASA’s Langley Research Center, which were rendered on a powerful mainframe computer and given to Schwartz to turn into a complete film. Schwartz, who had a background in Japanese calligraphy and painting and whose work often intersects art and technology, approached the material creatively, layering, distorting and colourising the images to breathe new life into the scientific data, with visually striking effect.

Ben Sassen

The RK12 galaxy is twenty-eight billion kilometres away from earth and contains a sandy desert planet inhabited by an extraterrestrial species. Without sunlight, these creatures live off the energy of movement itself. They produce time, love music and push their mortal gods back into space when they are tired of them. A fictitious reportage that showcases Piotr Kamler’s extraordinary skill. In addition to a feature-length sci-fi film, the Polish avant-garde film artist created a number of original and technically outstanding short films. “Green Planet” is a masterful stop motion animation in which Kamler brings delicate shapes made of fine sand to life. Carefully directed lighting, contrasts and focus create a fantastical world whose spatial depth is impressive. The music by Ivo Malec, a pioneer of electro-acoustic and New Music, reinforces the otherworldly atmosphere of the distant setting.

Franka Sachse

Łukasz dreams of becoming a professional boxer. His mother Monika supports him as much as she can. But the fact that this means he has to move to a sport boarding school over 500 kilometres away is something she can’t fathom. For who will do his washing there and make sure that he turns up to training on time? For Łukasz, the move is a step towards independence, but also a test of his abilities among like-minded people. Between hard training, new friendships and first love, the boarding school doesn’t just become a springboard for his sporting career, but also the place where he comes of age. Over five years, Adam Roszkowski accompanies his taciturn protagonist on his way to the Polish junior championships. In a blend of observation and discreet staging, everyday training routines, family moments and a first date come together to form a narrative that is so close to its characters that the documentary format almost melts into the background. Entirely indebted to the principle of show, don’t tell, “Growing Up” also gives an account of the dedication needed for competitive sport and the price it carries as well as of the silent battles needed to go one’s own way.

Tina Jany

They develop software, work as lifestyle coaches, own marketing agencies or an Amazon shop, travel around the world without paying for accommodation: digital nomads for whom a laptop on a suitcase is sometimes enough of a workplace. Some of their aspirations fall by the wayside in the process and become the project of an enterprising Munich-based developer: Mathias is courting rootless individualists and clever investors to become backers of a project that is to turn a deserted former luxury hotel in the Bulgarian mountains into a hip coworking space. He promises a sense of community, intense human connections and few taxes, an outdoor pool and a campfire idyll. While the nomads who dream of home are waiting for the utopia to become reality, the residents of the surrounding villages sense a new “Wind of Change” with some scepticism. A brilliant structural analysis of a business model that capitalises on modern longings and knows how to carve out the necessary space.

Jan Künemund

To simply dancefreely and confidently on stage … That is 12-year-old Jools’s dream. She learns to accept her physical handicaps and overcome her own limitations with the help of choreographer Yorrith. Very slowly, in one-to-one lessons, Yorrith encourages Jools to dance in her own way and gives her the strength not to be influenced by other people’s judgements. A captivating story about the fact that there is no right or wrong when it comes to dancing, and the impressive portrait of a girl who no longer wants to be merely looked at but truly seen.

Lina Dinkla