On the one hand, the title of this film refers to the tradition of numbering the individual sheets of graphic sequences. On the other, it refers to the speed at which a film is projected, which is 25 frames per second. Every drawing resembles the previous one, almost like a copy. In fact, they differ only in details – which, however, gain significance in motion.

The cycle of domestic violence: tension, escalation, remorse, and then all over again. The woman in Izabela Plucińska’s film shares the fate of many sufferers: She can’t manage to break out. The metaphorical dumbbells she would have to lift to do it weigh 98 kilograms – like the man who does this to her. All she can do is dissolve, disappear and breathe silently into her individual parts. The animations keep erasing themselves, but painful marks are left behind.