Where a black hole is characterised by a region of space in which objects become trapped and prevented from escaping, a white hole is a hypothetical region of spacetime which cannot be entered from the outside, but from within which things can emerge and be released. Such is the setting for this visually rich, hypnotically abstract journey into the universe's expansive voids. “White hole” was released towards the end of a period of exceptional creative experimentation for director Toshio Matsumoto, one of Japan’s most highly acclaimed and masterful experimental film and video makers. In contrast to his earlier celluloid work, “White hole” uses video synthesizers and heavy image processing to achieve a salient cinematic experience, reminiscent of Stanley Kubrick’s 'Stargate’ sequence from “2001: A Space Odyssey”, with similar overtones of psychedelic, and perhaps consciousness expanding cosmological exploration.

Ben Sassen

In fluid sequence, the birth of a world is depicted as a bioastronomical event. Nebulous, whirling gaseous spheres condense, becoming molten membranes, then a flashing planet. Descent into its erupting electronic forces, to the nucleus, finds the life-spark doubling and multiplying, ascending toward consciousness, into crystal symmetries. An awareness of the whole is focused into the beginning of superconsciousness. This film was preserved with the support of the National Film Preservation Foundation.

Pyramid Films