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Hommage: Trollfilm
Filmstill The King Who Wanted More Than a Crown
The King Who Wanted More Than a Crown
Randall Meyers, Anita Killi
The King has vanished! The commander, the chamberlain, the jester and the deputy go in search of a new ruler. A deceptive fable with quirky characters.
Filmstill The King Who Wanted More Than a Crown

The King Who Wanted More Than a Crown

Kongen som ville ha mer enn en krone
Randall Meyers, Anita Killi
Hommage: Trollfilm
Animated Film
Norway
1999
30 minutes
Norwegian
Subtitles: 
English
No Premiere

Gosh, how boring and lonely it is here in the castle! That is what the little king thinks and so one day he vanishes. Everyone is desperate and at their wit’s end. The whole staff look for him for six days. No luck. And so the chamberlain, the commander, the jester and the second-in-command set out into the dangerous enchanted forest to find a new king. “The King Who Wanted More Than a Crown” was originally performed as a modern fable for all age groups with live orchestra accompaniment, to inspire a love of classical music especially in children. But even without live elements, Anita Killi's and Randall Meyers' cut-out animation works amazingly well. After all, it is not just brimming with loving detail and lively, colourful characters, but also breathes new life into the old adage “Don’t judge a book by its cover”.

Marie Ketzscher

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29.10.
#473
Passage Kinos Wintergarten
Teil der Kompilation
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29.10.2026
Passage Kinos Wintergarten
#473
Teil der Kompilation
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Credits DOK Leipzig Logo

Director
Randall Meyers, Anita Killi
Script
Lars Saabye Christensen
Cinematographer
Carsten Andersen
Editor
Skule Erikse
Producer
Randall Meyers

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Randall Meyers
Kids DOK
Filmstill The Naughty Seat
The Naughty Seat
David Johnson
A badly-behaved penguin ends up in the naughty chair during dinner. Luckily, he soon has company, as fooling around happens everywhere. A mischievous puppet animation without dialogue.
Filmstill The Naughty Seat

The Naughty Seat

Die stille Ecke
David Johnson
Kids DOK
Animated Film
UK
2025
8 minutes
without dialogue
Subtitles: 
None
No Premiere

A mischievous little penguin misbehaves at dinner: he slurps, spills stuff and rocks his chair until he is sent to the bench, the “naughty seat”, in punishment. It’s not long before he has company. And the opportunities for more mischief are far from exhausted. An enchanting puppet animation without dialogues.

Lina Dinkla

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27.10.
#261
Passage Kinos Astoria
Teil der Kompilation
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27.10.2026
Passage Kinos Astoria
#261
Teil der Kompilation
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31.10.
#6B1
Schauburg
Teil der Kompilation
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31.10.2026
Schauburg
#6B1
Teil der Kompilation
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01.11.
#762
Passage Kinos Astoria
Teil der Kompilation
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01.11.2026
Passage Kinos Astoria
#762
Teil der Kompilation
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Credits DOK Leipzig Logo

Director
David Johnson
Cinematographer
David Johnson
Producer
David Johnson
Sound Design
Barnaby Templer, Stephen Maxwell
Score
Rick Mulhall
Animation
David Johnson
Animation Technique
Puppets

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International Competition Animated Film
Filmstill The Orbit of Minor Satellites
The Orbit of Minor Satellites
Chris Sullivan
Rosemary is the patient and Dr. Richards is her psychiatrist – but who needs who here? A course of therapy that walks a fine line between imaginary worlds and session reality.
Filmstill The Orbit of Minor Satellites

The Orbit of Minor Satellites

The Orbit of Minor Satellites
Chris Sullivan
International Competition Animated Film
Animated Film
USA,
Japan
2026
117 minutes
English,
Russian
Subtitles: 
English
German premiere
Aren’t psychiatrists also dependent on their patients? For Chris Sullivan, there’s no doubt about it: he certainly is, particularly when it comes to long, intensive treatment programmes that require a lot of empathy. For his black-and-white feature-length film, he therefore chose a radical narrative approach in which treatment room and mental condition constantly merge in associative fashion, meaning we don’t know exactly where we are. It’s only the central points of reference which are defined: a long-standing patient of Dr. Durwood Richards, Rosemary Hamm is both his research object and the subject of his book. She suffers from schizophrenia and is therefore sometimes convinced that she lives on a Soviet space station in the 1960s during the Cold War. She also has one-on-one conversations with a large buffalo there (who speaks with the voice of Boris Karloff, who played the legendary role of Frankenstein’s monster in the 1931 film). Sullivan repeatedly makes the thin line separating Rosemary’s imagined worlds (animation) and the reality of the therapy sessions (live action) tangible – sometimes the animated patient stays seated in the room, sometimes she reluctantly slips of out her rotoscoped shell. In all these realms, whether fictional or real, the themes also overlap, orbiting doctor and patient like satellites: loss, love and above all forgiveness.

Marie Ketzscher

Contains mentions of death

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27.10.
#243
CineStar 6
The Orbit of Minor Satellites
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27.10.2026
CineStar 6
#243
The Orbit of Minor Satellites
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28.10.
DOK Stream 24h
The Orbit of Minor Satellites
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28.10.2026
DOK Stream 24h
The Orbit of Minor Satellites
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29.10.
#4C2
Cinémathèque in der naTo
The Orbit of Minor Satellites
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29.10.2026
Cinémathèque in der naTo
#4C2
The Orbit of Minor Satellites
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31.10.
#672
Passage Kinos Wintergarten
The Orbit of Minor Satellites
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31.10.2026
Passage Kinos Wintergarten
#672
The Orbit of Minor Satellites
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Credits DOK Leipzig Logo

Director
Chris Sullivan
Script
Chris Sullivan
Cinematographer
Leah Corbin
Editor
Chris Sullivan
Producer
Chris Sullivan
Co-Producer
Nobuaki Doi
Sound
Chris Sullivan
Sound Design
Chris Sullivan
Animation
Chris Sullivan
Animation Technique
Mixed Media

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Main Contact
Chris Sullivan
chrissullivanx@gmail.com
International Competition Animated Film
Filmstill The Way We Look at Things
The Way We Look at Things
Aline Helmcke
Lines that turn into insects, an entire swarm, a landscape – before dissolving once again. Simple elements produce fleeting meaning in this film which celebrates drawing.
Filmstill The Way We Look at Things

The Way We Look at Things

The Way We Look at Things
Aline Helmcke
International Competition Animated Film
Animated Film
Germany
2026
8 minutes
English
Subtitles: 
German
World premiere
How does the graphic gesture in animated film manifest itself, what specific eco-system are we talking about when we refer to line and movement? Aline Helmcke invites us to think about drawing for film and simultaneously celebrates the sensual act of drawing: whether with light or sand-like material or classic drawing tools, on paper or blank film, in associative scribbles or structuring lines. And so lines turn into insects, a whole flock of dots, a pattern of lines, an industrial landscape … only to dissolve back into lines once more. Fleetingly, imagery and meaning emerge from simple elements. The intuition of the drawing process and the planning exercise of drawn animation, the restlessly wondering human eye and the unrelenting camera eye freezing time, they all whir around each other in this intelligent and luscious cinematic essay.

André Eckardt

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27.10.
#231
CineStar 5
Teil der Kompilation
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27.10.2026
CineStar 5
#231
Teil der Kompilation
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27.10.
#242
CineStar 6
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27.10.2026
CineStar 6
#242
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29.10.
#471
Passage Kinos Wintergarten
Teil der Kompilation
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29.10.2026
Passage Kinos Wintergarten
#471
Teil der Kompilation
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31.10.
#663
Passage Kinos Astoria
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31.10.2026
Passage Kinos Astoria
#663
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Credits DOK Leipzig Logo

Director
Aline Helmcke
Script
Aline Helmcke
Cinematographer
Aline Helmcke, Anja Schaffner
Editor
Aline Helmcke
Producer
Aline Helmcke
Sound
Marcell Mostoha
Sound Design
Marcell Mostoha, Kay Kalytta
Score
Marcell Mostoha
Animation
Aline Helmcke
Animation Technique
Drawn, Pixilation, Sand

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Main Contact
Aline Helmcke
mail@ahelmcke.com
Nominated for: mephisto 97.6 Audience Award
International Competition Animated Film
Filmstill this, too, will be liquid
this, too, will be liquid
Karolina Malwina Gruschka
All bodies are made of water – and the water around us keeps rising. A poetic-meditative experiment in black-and-white that blends biography and melting glaciers.
Filmstill this, too, will be liquid

this, too, will be liquid

this, too, will be liquid
Karolina Malwina Gruschka
International Competition Animated Film
Animated Film
Austria
2025
13 minutes
English
Subtitles: 
English, German
German subtitles
International Premiere
In the beginning was the sea. In her poetic and quiet experimental film, Karolina Malwina Gruschka thinks about her relationship with water, interweaving biographical memories of learning how to swim and a primal sense of physical trust with reflections on climate change. The realisation that her own body, composed of 50 % water, has a lot to do with the water covering the globe, is reflected on the visual level, too: Gruschka converts found footage material and her own holiday pictures to a colour depth of 1 bit, which creates an exclusively black and white visual field where the private and documented nature are no longer distinguishable. The images ripple like water, gradually changing from distant blurs to concrete documentary observations of calving glaciers, thus achieving a meditative effect: if we all perish in the end, we will at least all be reunited in the water.

Marie Ketzscher

Photosensitivity warning: Contains flashes of light that may trigger seizures for people with visual sensitivities.

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28.10.
#3A1
Schaubühne Lindenfels
this, too, will be liquid & Atlas of Disappearance + Discussion with Berlin Critics’ Week
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28.10.2026
Schaubühne Lindenfels
#3A1
this, too, will be liquid & Atlas of Disappearance + Discussion with Berlin Critics’ Week
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29.10.
#442
CineStar 6
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29.10.2026
CineStar 6
#442
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30.10.
#544
CineStar 6
this, too, will be liquid & Atlas of Disappearance
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30.10.2026
CineStar 6
#544
this, too, will be liquid & Atlas of Disappearance
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Credits DOK Leipzig Logo

Director
Karolina Malwina Gruschka
Producer
Karolina Malwina Gruschka
Animation
Karolina Malwina Gruschka
Animation Technique
Found Footage, Mixed Media, 2D Digital

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Main Contact
Karolina Malwina Gruschka
info@karolinamalwina.net
Nominated for: mephisto 97.6 Audience Award
Kids DOK
Filmstill Tiny Fox and Great Boar
Tiny Fox and Great Boar
Michał “Śledziu” Śledziński
It’s autumn and Fox and Wild Boar sent off on a hike, headed for the huge “Tree of Leaves”. Over the course of their adventurous journey, the small fox must pass test after test.
Filmstill Tiny Fox and Great Boar

Tiny Fox and Great Boar

Fuchs und Wildschwein
Michał “Śledziu” Śledziński
Kids DOK
Animated Film
Poland
2026
7 minutes
Polish
Subtitles: 
English, German (Overvoice)
German premiere

The fox and the wild boar live on a hill in the forest and discover the world together. Autumn is coming. Delighted, they observe one leaf after the other drift down from the branches. Then the wild boar lures the fox on a hike to the great “Leaf Tree” where countless leaves are still waiting to tumble through the air. An adventurous journey begins where Fox has to pass one test after the other. An adaptation of the popular Polish comic book series by Berenika Kolomycka.

Lina Dinkla

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28.10.
#361
Passage Kinos Astoria
Teil der Kompilation
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28.10.2026
Passage Kinos Astoria
#361
Teil der Kompilation
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31.10.
#662
Passage Kinos Astoria
Teil der Kompilation
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31.10.2026
Passage Kinos Astoria
#662
Teil der Kompilation
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01.11.
#7A1
Schaubühne Lindenfels
Teil der Kompilation
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01.11.2026
Schaubühne Lindenfels
#7A1
Teil der Kompilation
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Credits DOK Leipzig Logo

Director
Michał “Śledziu” Śledziński
Script
Berenika Kolomycka, Rafal Skarzycki
Editor
Piotr Krygiel
Producer
Ewelina Gordziejuk, Paulina Talarska
Co-Producer
Lukasz Hendzel
Sound
Michał Fojcik
Score
Adrian Konarski
Animation
Jakub Tarkowski, Michał “Śledziu” Śledziński, Animagrad LLC, Michał “Śledziu” Śledziński
Animation Technique
2D Digital

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Main Contact
Anna Waszczuk
a.waszczuk@letko.pl
International Competition Animated Film
Filmstill Tutaro
Tutaro
Anne Isensee
Hungry for life, an egg yolk dives headlong into the world and gets lost in restless ecstasy. A captivating and uncompromising choreography in turbulent colours and shapes.
Filmstill Tutaro

Tutaro

Tutaro
Anne Isensee
International Competition Animated Film
Animated Film
Germany
2026
8 minutes
German
Subtitles: 
English
Audio Description
World premiere
In the beginning was the light, then the egg yolk … The yellow form, hungry for life, buoyantly throws itself into the world, stretching, jumping back and forth. The space grows bigger and gains depth; the playing field expands. Drifting curiously to Latin-American rhythms gradually turns into a restless, frantic rush accompanied by hyperventilating breakbeats. The yellow ball is reduced to a narrow, hasty brushstroke racing through the black cosmos, whizzing past turbulent colours and shapes – and vanishing. Using nothing but abstraction, “Tutaro” brings a small personality into the world and follows its path equally tenderly and uncompromisingly.

André Eckardt

Photosensitivity warning: Contains flashes of light that may trigger seizures for people with visual sensitivities.

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27.10.
#251
CineStar 7
Teil der Kompilation
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27.10.2026
CineStar 7
#251
Teil der Kompilation
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29.10.
#442
CineStar 6
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29.10.2026
CineStar 6
#442
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29.10.
#4C1
Cinémathèque in der naTo
Teil der Kompilation
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29.10.2026
Cinémathèque in der naTo
#4C1
Teil der Kompilation
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31.10.
#674
Passage Kinos Wintergarten
Teil der Kompilation
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31.10.2026
Passage Kinos Wintergarten
#674
Teil der Kompilation
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Credits DOK Leipzig Logo

Director
Anne Isensee
Editor
Anne Isensee, Sonja Rohleder
Producer
Anne Isensee
Co-Producer
Sonja Rohleder
Sound
Lorenz Fischer
Sound Design
Lorenz Fischer
Score
Sarah Farina, Chris Hill
Animation
Anne Isensee, Sonja Rohleder, Michelle Brand
Animation Technique
Motion Graphics, 2D Digital

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Main Contact
Nominated for: mephisto 97.6 Audience Award
Animation Perspectives
Filmstill Valse Muziek: Electricity
Valse Muziek: Electricity
Anton Cla
A giant fluffy head squeezed into a dollhouse is headbanging to the driving, grinding punk riffs of the Belgian band Valse Muziek, grows heavier, and begins to shimmer in vivid colours.
Filmstill Valse Muziek: Electricity

Valse Muziek: Electricity

Valse Muziek: Electricity
Anton Cla
Animation Perspectives
Animated Film
Belgium
2024
3 minutes
English
Subtitles: 
None
No Premiere
Squeezed into a dollhouse, a giant fluffy head is headbanging. This crispy and short music video recalls the Eat Me cakes from “Alice’s Adventures in Wonderland”: Here, though, the larger-than-life head feeds on the energy of the driving, grinding punk riffs and pumped vocals of the Belgian band project Valse Muziek. The head is growing heavier and heavier, begins to shimmer in vivid colours. The house turns. The video image stops.

André Eckardt

Photosensitivity warning: Contains flashes of light that may trigger seizures for people with visual sensitivities.

Screenings & Tickets DOK Leipzig Logo

29.10.
#474
Passage Kinos Wintergarten
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29.10.2026
Passage Kinos Wintergarten
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Credits DOK Leipzig Logo

Director
Anton Cla
Producer
Anton Cla
Animation
Anton Cla
Animation Technique
3D Digital

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International Competition Animated Film
Filmstill We Are Aliens
We Are Aliens
Kohei Kadowaki
Adults forever hurting: an anti-coming-of-age film about a friendship between boys, a misunderstanding and quarrel. Which images of masculinity prevent childhood wounds from healing?
Filmstill We Are Aliens

We Are Aliens

We Are Aliens
Kohei Kadowaki
International Competition Animated Film
Animated Film
Japan,
France
2026
117 minutes
Japanese
Subtitles: 
English
German premiere
Some childhood wounds never heal. Once primary school boy Tsubasa and Kyotaro make friends, their dreary existences as outsiders finally come to an end: they see each other, they understand each other. Tsubasa actually prefers origami to pursuing dreams of being a football star and is under a lot of pressure to excel by his mum, who barely gives him any affection at all. Kyotaro lives with his old, impoverished grandmother and likes nothing more than drawing dinosaurs. Together, they wander through the neighbourhood, they play, they are inseparable. Yet Kyotaro’s impulsive, nerdy manner and the other children’s mean tongues sow the seeds of mistrust in Tsubasa – is his best friend perhaps an alien? One little misunderstanding and a bigger confrontation lead to everything falling apart. Kohei Kadowaki’s debut takes its time in crafting the perspectives of both children: the camera often lingers close to stunned, horrified or crying faces that sometimes morph into aliens – the director uses rotoscoping to make the emotions particularly tangible. This empathetic emotionality is also a distinguishing feature of the narration, which seems to be pushing the “coming of age” principle to the realm of absurdity: trapped by society’s masculinity conventions, both protagonists are condemned to grow up eternally wounded, perhaps never to fully arrive in the here and now.

Marie Ketzscher

Contains depictions of mental health conditions, physical violence

Screenings & Tickets DOK Leipzig Logo

28.10.
#342
CineStar 6
We Are Aliens
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28.10.2026
CineStar 6
#342
We Are Aliens
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30.10.
#521
CineStar 4
We Are Aliens
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30.10.2026
CineStar 4
#521
We Are Aliens
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01.11.
#734
CineStar 5
We Are Aliens
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01.11.2026
CineStar 5
#734
We Are Aliens
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Credits DOK Leipzig Logo

Director
Kohei Kadowaki
Script
Kohei Kadowaki
Cinematographer
Kohei Kadowaki
Editor
Kenichiro Tachikawa
Producer
Yuuri Shimojo
Co-Producer
Emmanuel-Alain Raynal
Animation
Kohei Kadowaki
Animation Technique
2D Digital

Contact DOK Leipzig Logo

Main Contact
Léonard Altmann
sales@charades.eu
International Competition Animated Film
Filmstill When the Sea Was Calm
When the Sea Was Calm
Mamuka Tkeshelashvili
Summer, football, a first infatuation: it’s 1993 in Sukhumi, Georgia, just before everything will change. Touching, poetic memories of carefree days, narrated from exile.
Filmstill When the Sea Was Calm

When the Sea Was Calm

When the Sea Was Calm
Mamuka Tkeshelashvili
International Competition Animated Film
Animated Film
Georgia
2026
18 minutes
without dialogue
Subtitles: 
None
German premiere
There’s a marvellous view of Sokhumi from the roof – and it’s also possible to see the beautiful girl moving into the house across the way with her dog. In Mamuka Tkeshelashvili’s wistful, poetic stop-motion short film, the 13-year-old protagonist is enjoying a carefree summer on the football pitch and at the beach, above all when the girl is also there. But these days of innocence are soon over once he sees her fleeing pell-mell and planes shooting over the city. Mamuka Tkeshelashvili’s puppet and cutout animation remembers the 1993 Sokhumi massacre, in which Abkhazian separatists murdered up to an estimated 7000 Georgian civilians. Yet Tkeshelashvili only hints at the violence, concentrating primarily on the positive memories of the place and the feelings of longing from exile – the girl’s red hair flying in the wind or the beautiful, lovingly fashioned miniature buildings that tell of Sokhumi’s former charm.

Marie Ketzscher

Contains depictions of war scenes

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28.10.
#322
CineStar 4
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28.10.2026
CineStar 4
#322
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29.10.
#452
CineStar 7
When the Sea Was Calm + Letters from the Silenced Country
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29.10.2026
CineStar 7
#452
When the Sea Was Calm + Letters from the Silenced Country
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30.10.
#534
CineStar 5
When the Sea Was Calm + Letters from the Silenced Country
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30.10.2026
CineStar 5
#534
When the Sea Was Calm + Letters from the Silenced Country
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31.10.
#6C1
Cinémathèque in der naTo
When the Sea Was Calm + Letters from the Silenced Country
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31.10.2026
Cinémathèque in der naTo
#6C1
When the Sea Was Calm + Letters from the Silenced Country
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Credits DOK Leipzig Logo

Director
Mamuka Tkeshelashvili
Editor
Levan Kukhashvili
Producer
Vladimer Katcharava
Sound Design
Betkho
Animation
Mamuka Tkeshelashvili
Animation Technique
Cutout, Puppets

Contact DOK Leipzig Logo

Main Contact
Vladimer Katcharava
katcharava@gmail.com
Nominated for: mephisto 97.6 Audience Award, Gedanken Aufschluss Prize