A pop art-punk-psychedelic trip into the life and rich fantasy world of a young 1970s London housewife. Marcia is mesmerised by the astonishing mountain of folds in the bedclothes where the tiny, almost invisible tribe of the mites lives, and drawn into a conversation with the ghost of dirt. But stop, her zeitgeisty-feminist friends are coming over for morning coffee.

How much do staircases and doors leading nowhere in the Californian Winchester House reveal about the owner’s superstitions and how much about the years of converting and rebuilding after the 1906 earthquake? In the centrepiece of his trilogy, Jeremy Blake fills the labyrinthine interiors of this architectural rarity with unreal light and colour apparitions of impressive beauty and oppressive impact.

In the third part of this study of the Winchester mansion in San Jose the eye wanders to the “Century 21” cinema built opposite the street in 1964. Jeremy Blake makes the dream houses correspond visually by means of overpainting in time-based painting technique and visual mass media quotes. The film house contributed to the myth that at the frontier a home for the American Dream was built by gun violence.

From 1884 to 1922, the widow of arms manufacturer Winchester transformed a modest manor in San Jose into a residence of temporarily more than 500 rooms. Rumour has it that it was to protect herself from the ghosts of those shot dead at the frontier. Jeremy Blake starts his Winchester trilogy with a diagnosis of the state of mind of the eccentric building in a Rorschach test of fantastic folded images.