Film Archive

Jahr

Filmstill A Night Song

A Night Song

Le chant de la nuit
Félix Lamarche
International Competition 2022
Documentary Film
Canada
2022
45 minutes
French
Subtitles: 
English

A patient camera glides over the everyday objects: still lives on the wall, flowers in the vase, a swaying drop light. The sun enters the cosy home where Noëlla sits smoking at her laptop, playing Solitaire. The situation is hopeless. She’s going to lose against the computer once again. All the while her son-in-law, Pierre, is organising everything she needs, pragmatic and friendly: breakfast, the (last) doctor’s visit – and then the transfer.

Because Noëlla intends to die, and she is determined. Pierre conscientiously manages the paperwork and invites her loved ones to say goodbye. They bring photos and chat with the protagonist who is about to depart this life and who waves one last time before the doctor administers the deadly dose. Bye bye, that’s it. Dying can be so unexcited. This slowed-down, minute study of time very gradually acquires a completely different meaning from what one assumed at first. How one would love to see the onetakes from the beginning again. Félix Lamarche’s unpretentious observation evolves into a metaphor of life. Noëlla’s insistent head-on gaze from the screen into the viewers’ eyes will always be unforgettable.
Borjana Gaković

Credits DOK Leipzig Logo

Director
Félix Lamarche
Cinematographer
Félix Lamarche
Editor
René Roberge
Producer
Félix Lamarche
Sound
Samuel Gagnon-Thibodeau
World Sales
Robin Miranda das Neves
Nominated for: FIPRESCI Prize, Prize of the Interreligious Jury
Filmstill The Dependents

The Dependents

En la luna es el día
Sofía Brockenshire
International Competition 2022
Documentary Film
Argentina,
Canada
2022
90 minutes
English,
Korean,
Spanish
Subtitles: 
English

For thirty years, Sofía Brockenshire’s father travelled the world as an official of the Canadian Immigration Service, his family always by his side. Diaries and other contemporary documents show the numerous relocations, the destinations in South Korea, India, in South and Central American countries. The result is a detailed mosaic of memories and audiovisual snippets that tries to take not only the civil servant’s perspective, but also that of his wife and children.

When asked where they originally came from, the Brockenshire kids answer cleverly: from the suitcases. Because they travel with them year after year, always prepared to have to leave a place they just moved to. The life of the family is determined by the Canadian authorities, they seem to have practically no say in the matter. Neil Brockenshire’s views on his professional career are ambivalent: full of gratitude and certain to have helped people, but also thoughtful and occasionally resentful. In her film, Sofía Brockenshire re-assembles what was scattered across the globe over the decades: photos, thoughts, desires. “The Dependents” is a personal portrait and something of a reflection about the existence as a professional expat in a world that has no borders for some and nothing but obstacles for others.
Carolin Weidner

Credits DOK Leipzig Logo

Director
Sofía Brockenshire
Cinematographer
Sofía Brockenshire
Editor
Sofía Brockenshire
Producer
Sofía Brockenshire
Sound
Julian Flavin
Sound Design
Julian Flavin
Nominated for: Leipziger Ring, Prize of the Interreligious Jury, FIPRESCI Prize