Festival director Ola Staszel is introducing a new section called “Fokus Ost”, which will bolster eastern German perspectives in documentary filmmaking. Eight of the total of ten documentaries will have their world premieres at the 69th edition of the festival, including this year’s opening film, Ina Borrmann’s “Good Evening, Beautiful”.
This year‘s „Fokus Ost“ is curated by Grit Lemke, a filmmaker, author and former programming director at DOK Leipzig. The feature-length films tell, among other things, of the student protest in Rostock against the closure of the branch of the Ernst Busch Academy of Dramatic Arts during the period of German reunification (“The Class of 1990”), the stories of two former contract workers from Vietnam who were employed in the GDR (“Uncle Thuận”) and a garden that becomes a bright spot within a concrete housing estate in Schwerin (“Garden of Hope”).
The Opening Film 2026
For „Good Evening, Beautiful“, the film’s director, Ina Borrmann, met several protagonists of a 1977 collection of interviews by Maxie Wander titled “Guten Morgen, du Schöne”, and interviewed them again. The feminist classic had left its mark on generations, and remains one of the most influential works in German literature. By speaking with radical candour about matters that are supposedly private, the film once again raises important questions about living in a patriarchy, questions that have lost none of their relevance since the book was first published.
On 26 October, there will be a public screening of “Good evening, Beautiful” at 20:30 in the East Hall of Leipzig Central Station. Admission is free!
Four other films in this section will be entered in the German Documentary Film Competition and will be announced on 8 October.
DOK Talk on Eastern German Perspectives
The section will also include the DOK Talk “Eastern German Perspectives in Documentary Filmmaking” at the Volkshochschule Leipzig at 16:00 on 30 October, which is being organised in collaboration with the weekly newspaper “der Freitag”. In conversation with guests of this edition of the festival, we discuss questions such as: How are eastern Germany and the realities of life there represented in documentary films? What obstacles do filmmakers face? And which films make it onto the big screen, onto television and onto streaming platforms?
Find out more about “Fokus Ost” and this year’s opening film in our press release.
More glimpses from this year’s programmes.
Discover the films screening as part of “Fokus Ost”