Young Israelis performing a rite of initiation, the “Journey to Poland”: seven days, three mass graves, four concentration camps, and cameras running all the time. An exercise in identity made up of YouTube videos – horror 2.0.
Cinema’s leap into the digital age and vanquishing of the analogue – a promise of salvation. An opulent essay about the visions and losses brought by a dubious departure.
A girl about to become a woman talks to the moon and a statue of the Virgin Mary. Out of the raging emptiness of her loneliness she begs for something to happen – terrible and bloody things.
The bespoke baby: labs, sperm and embryo storage facilities the size of factory floors. Quasi-industrial child production: technology, ethics and a lucrative business. A horror film.
A woman who seems to be alone in a strange house. In this re-working of a 1980s B-movie, Peter Tscherkassky lets the rooms speak.
Accompanying your Kurdish father on a family visit to Iraq: flat hunting and front line tourism outside the gates of ISIS. A young Viennese artist with a sense of tragicomedy explores cultural rifts.
How do you experience the world without a sense of hearing? A couple must take decisions for their children, young people prepare for jobs, the daily life of a politician – to be experienced visually.
Nothing is closer to us than our skin, artfully enveloping our self with its beautiful and less beautiful parts, defining the boundary between us and everything else.
