
A banlieue film outside of hackneyed stereotypes in which we meet remarkable people. A confident statement on the history of European labour in the past half-century.
A banlieue film outside of hackneyed stereotypes in which we meet remarkable people. A confident statement on the history of European labour in the past half-century.
A summer in the Camargue. 14-year-old Théo works as an intern on a farm for half-wild cattle. Monosyllabic, still lanky and boyish, he dreams of a future as a skilful Manadier.
Deceptively real-looking drawings of everyday utensils in jolly formations: pincers, pliers and screwdrivers in an obsessive choreography.
A spectacular project and a nimble balancing act between performance, documentary film and opera that questions traditional notions of normalcy and lunacy.
Speakers’ Corner, Agora 2.0 or internet-ional consummation of the democratic dream? In (almost) raw film posts teenagers out themselves as gay, lesbian and different.
Secrets live in the realm of the unsaid, creating despondency and euphoria. These opposites grow into a skilfully animated surrealist miniature here.
This film quietly and attentively investigates the logic of industrial forestry. Monsters with greedy gripper arms slash their way through the forests. But there is resistance, too.