Grandfather shoots his five-year-old granddaughter’s favourite rabbit. A childhood trauma that can only be compensated for by a new animal: a dog with rabbit ears.

A performative reconstruction sketches and condenses everyday life at the border between the Spanish enclave of Ceuta and Morocco, crossed illegally by all kinds of goods.

A woman and an egg, together, in a room. Both are naked, crouching opposite each other, lurking. Should she eat it? And what happens then? She fears the worst: loss of form.

A sandy beach in the off season, deserted, dirty. The guests have left their cigarette butts behind, and one of them more than the others: grandpa. The depiction of a surreal incident.

The gustatory experience of eating a fish eye in a crowded restaurant opens new worlds to one of the guests. A surrealist thrill like a ghost train ride for the palate: the eye is red, the smell of the dishes is red.

The film takes a look at the absurd side of sex tourism, creating an illusory world of intense colours and exaggerated stereotypes in which human desire is reduced to possession. A fast-paced adventure.

It’s an achievement in itself: telling the drama of a whole generation, a family and a mother, in 15 minutes.

We’re on the outskirts of a city – whether of the past or future is irrelevant. Despite the freezing cold a crowd of onlookers is slowly gathering. What is there to see?

Infrared images of the Jungle near Calais. This is where refugees are waiting in the hope of reaching Great Britain through the Eurotunnel one day.

A rush of memories of great and small moments, under twinkling stars, in tender and melancholy colours. A love story for life.

A corpulent hotel guest is almost consumed by his longing for his former love, Suzanne. And by hunger. The whole situation sparks up in a bizarre and physical clay animation.

The grubby all-male Liverpool flat share is out of control: Shirley doesn’t pay the rent, nobody cleans up, the jokes are getting grimmer. A war of nerves with a New Wave soundtrack.

A chance encounter in the street becomes a constant silent companion. The friendly white man who gradually and inexorably wraps Fred’s life in cotton wool keeps growing and growing.

Conceptual artist and musician Bastien Dupriez paints and animates abstract universes on vinyl in harmony with Minimal Music.

A deceived woman becomes an explorer. Instead of focusing on her boyfriend’s infidelity, she follows the traces of her rivals. Obsession takes her into unknown terrain.

Following a customs dispute in 1928, Constantin Brâncuşi’s “L’Oiseau dans l’espace” was the first abstract sculpture to be legally accorded the status of artwork. Félix Rehm brilliantly reopens the case.