Film Archive

Living the Light – Robby Müller

Documentary Film
Germany,
Netherlands
2018
87 minutes
subtitles: 
English

Credits DOK Leipzig Logo

Carolijn Borgdorff, Alexander Wadouh, Sven Sauër
Claire Pijman
SQÜRL (Jim Jarmusch, Carter Logan)
Claire Pijman
Katharina Wartena
Claire Pijman
Robby Müller (1940–2018) was a luminary, but not in the way this term is commonly used. He could easily have played one of the wise and taciturn Indians in Jim Jarmusch’s Acid Western “Dead Man”. But that was impossible because he was the DOP of this film, for which he conjured his special, firm and almost painterly, but also transparent and shimmering light onto the screen, as he did for around 70 other masterpieces of international auteur cinema.

Over decades the cinematographer kept a video diary which the filmmaker Claire Pijman already worked with for the great exhibition “Master of Light” at the Amsterdam EYE Film Museum and which she now uses as the central pool of images for her own film, “Living the Light”. Fellow cinematographer Agnès Godard says about a sequence between Dennis Hopper and Nicholas Ray from Wim Wenders’ “The American Friend” that mastership for her is achieved only when the grandeur of the cinematography makes itself vanish from a scene because it becomes its natural component. Strange that one always feels that one can almost hear Robby Müller’s images. In “Living the Light”, this impression is underlined by delicately improvised soundscapes by Jim Jarmusch and Carter Logan.

Ralph Eue


Nominated for the Goethe-Institut Documentary Film Prize

Western Wild … or How I Found Wanderlust and Met Old Shatterhand

Documentary Film
Netherlands
2018
9 minutes
subtitles: 
English

Credits DOK Leipzig Logo

Martha Colburn
Martha Colburn
Martha Colburn
Martha Colburn
Martha Colburn
Martha Colburn
Martha Colburn
From the narrowness of the Wilhelmian empire, Karl May escaped into the vast expanses of a fantasy world inhabited by Indians. In the strange canyons of May’s life, Martha Colburn follows his tracks with a fantastically twisted collage animation and discovers autobiographical parallels: she grew up in the backwater of Biglerville, population 1,000 – which in 1863 became the secondary theatre of one of the bloodiest battles against the indigenous population and today is famous for donkey basketball.

André Eckardt