Film Archive

Sections (Film Archive)

Man of Smoke

Documentary Film
Germany,
Serbia
2017
32 minutes
subtitles: 
English
Credits DOK Leipzig Logo
Marko Mijatović, Kristina Konrad (weltfilm GmbH)
Marko Mijatović, Luka Papić
Luka Papić, Marko Mijatović
Luka Papić, Marko Mijatović
Luka Papić, Marko Mijatović
Luka Papić, Marko Mijatović
“The Prostitute”, “The Addict”, “Gay Man”, “The Bitch” are the titles of 75-year-old recreational poet Slobodan Stevanović’s most popular poems. And popularity – in the Serbian provinces just like everywhere else – is measured by click figures. Slobodan and his son Bojan send his works into the world via YouTube. Poetry conquers new spaces, while the tube TV set in the old space next door is flickering and the “cevapcici “are frying.

Lukas Stern

The annotations to the films in the Official Selection were written by the members of the selection committee and guest authors. All quotes from DOK Leipzig catalogue articles must be identified as such and cite the author’s name. Some original titles and names have been transcribed resp. transliterated. We apologise that we cannot cite individual image sources and rights in our festival publications or festival coverage. Please note that the visual material is published exclusively for the purposes of promoting specific films or festival programmes. No transmission to third parties is provided and would only take place with the explicit agreement of the owners of the rights. The rights to the images lie with the respective copyright owners.

Yugoslavia, How Ideology Moved Our Collective Body

Documentary Film
France,
Germany,
Serbia
2013
62 minutes
subtitles: 
English
Credits DOK Leipzig Logo
Marta Popivoda
Christian Obermaier, Jakov Munižaba
Nataša Damnjanović
Ana Vujanović, Marta Popivoda
Jakov Munižaba
An essay film that explores how ideology staged itself in the public space of former Yugoslavia through mass choreography.

Ralph Eue

The annotations to the films in the Official Selection were written by the members of the selection committee and guest authors. All quotes from DOK Leipzig catalogue articles must be identified as such and cite the author’s name. Some original titles and names have been transcribed resp. transliterated. We apologise that we cannot cite individual image sources and rights in our festival publications or festival coverage. Please note that the visual material is published exclusively for the purposes of promoting specific films or festival programmes. No transmission to third parties is provided and would only take place with the explicit agreement of the owners of the rights. The rights to the images lie with the respective copyright owners.