The Salvation project continues – with a search of the religious baggage the director’s ancestors carried to South Africa and saddled on subsequent generations.

This film from Morris’s Salvation project opens with a book about English landscapes a boy in a South African mission station is given in the 19th century and leads to questions of what is foreign in one’s own visual world.

A personal reflection on family, childhood and inevitable farewells – and the shortest film in Morris’s Salvation project.