Film Archive

Sections (Film Archive)

Pervert Park

Documentary Film
75 minutes

Credits DOK Leipzig Logo

Frida Barkfors, Anne Köhncke
Frida Barkfors, Lasse Barkfors
Julian Winding
Lasse Barkfors
Signe Rebekka Kaufann, Lasse Barkfors
Frida Barkfors, Lasse Barkfors
Frida Barkfors, Frank Mølgaard Knudsen
Sexual offenses are surely among the most horrible things people can do to each other. There seems to be a broad social consensus on how to deal with the offenders. In the U.S. their photos are posted publicly. When they have served their prison sentence they are not allowed to live near places regularly frequented by children. Only social projects like the one in Florida portrayed by Frida and Lasse Barkfors help them deal with their crimes and find their way back to life. In tranquil images the directors record the daily life of this “gated community”, getting very close to some of the roughly 120 men and women who live there. Harrowing and very different stories unfold in concentrated intimacy, some of them about violence and abuse and a lifelong struggle for dignity and human warmth, some of them the stories of lives thrown off track. They are all about how to deal with one’s crime and how to live with it.

But we also meet people who have been caught in a system that, in a mixture of social hysteria and a profit-oriented legal system, has turned the punishment of alleged sexual offenders into a perfidious business model. This film makes one re-consider the term “pervert”.

Grit Lemke

The Dybbuk. A Tale of Wandering Souls

Documentary Film
90 minutes

Credits DOK Leipzig Logo

Krzysztof Kopczyński, David Herdies, Gennady Kofman
Krzysztof Kopczyński
Jacek Petrycki, Serhiy Stefan Stetsenko
Michał Leszczyłowski
Krzysztof Kopczyński
Mateusz Adamczyk, Marcin Lenarczyk, Sebastian Witkowski
Right at the start, an excerpt from the Yiddish-language Polish 1930s classic “The Dybbuk” opens an old wound: the world of the shtetl with its old folk beliefs has vanished. But the spirit of the dead, the Dibbuk, is still walking among us. And it has many faces.

We re-emerge from the past to find ourselves in the Ukrainian town of Uman just before “Euromaidan”. A sacred place for thousands of orthodox Jews who make the pilgrimage to the grave of the Hassidic rabbi Nachman and transform the town, annoying the Ukrainian citizens who are afraid of a sell-out and react with provocations. Sometimes it’s an illegally raised cross, sometimes an information board in honour of the anti-Semitic Cossack leader and butcher Ivan Gonta. Or, rather more subtly, extra fees for kosher snacks.

The worlds clash on many levels. With great curiosity, Krzysztof Kopczyński captures the almost incompatible legends and rituals that come alive on both sides. On the one hand a completely impoverished country in the process of finding its identity, accompanied by nationalistic overtones. On the other hand a lost tradition and the experience of the Holocaust. Who owns the country? The film mines a wealth of material full of impressions, rough scenes and fables to bring the unexpected to light.

Lars Meyer