As in “Chthonic City”, the painter Anita Müller gives wings to her filmed material in the catacombs of Odessa: statements re-connote documentary images, additions visualise dreams or thoughts. She takes associative liberties that suggest comparisons with jazz. The invisible protagonist who lost his way on a spiritual search of the underworld and disappeared without a trace may have felt as ephemeral and fluctuating as her visual creations.

Cornelia Klauß