Naughtiness strikes back: Angry Kid tries in vain to spook his little sister. At last she is fed up with his antics and takes revenge.

The embodiment of naughtiness: Aardman’s Angry Kid. In this episode he sits in the car with his Dad and finds a good excuse to use the f*** word profusely.

Robert Morgan begins where “Eraserhead” ends. His inquisitive Bobby Yeah explores strange rooms, meets creatures that look like medical disasters and just loves to push the dangerous but tempting red button.

Bruce Bickford’s claymations know no limits. The magician with the cult following makes his figures morph continuously from one shape to the next.

The Wehrmacht dances the “Lambeth Walk” which in the late 1930s was very popular and abhorred by the Nazis.

The birth of an animation figure, without metaphorical frills. For Robert Morgan, single frames take over the function of sperms and inseminate the camera.

Invisible, but with an effective life of their own: magnetic fields sprout and bubble in a shadow biosphere of orderly uncontrollability.

In his audio diary John Hull reflects on what it means to be blind, which allows us access to a world without vision on a both philosophical and poetic level.

A mining village in South Yorkshire. The mine, one of the last in Great Britain, is about to be closed.

Mechanical clocks may be out of fashion, but they give the charismatic protagonist of this short portrait something to hold on to in his life.

Len Lye, pioneer of cameraless animation, used black and white footage of heavy industrial labour to produce a light and colourful advertising film for mail services.

Every day in the African country of Zimbabwe Isaac stands in the street with his blind father and a few simple instruments. One day he receives an offer to make a record.