Film Archive

I’m OK

Animated Film
Canada,
UK
2018
6 minutes
subtitles: 
_without dialogue / subtitles

Credits DOK Leipzig Logo

Abigail Addison (Animate Projects), Elizabeth Hobbs, Jelena Popović (National Film Board of Canada)
Elizabeth Hobbs
Elizabeth Hobbs
Elizabeth Hobbs
Elizabeth Hobbs
Sacha Ratcliffe
Galloping at breakneck speed through the tempestuous delirium of Oskar Kokoschka. After his failed amour fou with Alma Mahler he plunges into war as a dragoon in 1915, is wounded and comes to terms with things by creating the expressionist drama “Orpheus and Eurydice.” Elizabeth Hobbs takes up the dynamic quality of Kokoschka’s drawings and the turmoil of his emotional ecstasy. Restless ink strokes are entwined in a powerful and brightly coloured mesh of short-lived scenes of passion and suffering.

André Eckardt
International Programme 2018
Island of the Hungry Ghosts Gabrielle Brady

The Christmas Island crabs scuttle wherever they want. The asylum seekers interned on the island must stay where they are. A filmic reflection in powerful metaphors about the right to hospitality and forbearance.

Island of the Hungry Ghosts

Documentary Film
Australia,
Germany,
UK
2018
98 minutes
subtitles: 
English

Credits DOK Leipzig Logo

Alexander Wadouh
Gabrielle Brady
Aaron Cupples
Michael Latham
Katharina Fiedler
Gabrielle Brady
Leo Dolgan
There are places that make us realise instantly that they don’t need us and never did. They exist even if we don’t look at them. Christmas Island, a tiny 135 square kilometre dot in the Indian Ocean, is such a place. It probably first saw humans in 1643. It’s hard to imagine how amazed the endemic red crabs, which were alone with themselves, the tropical thicket and the snow white sandy beaches until then, must have been at this loud-mouthed guest who declared himself the great “discoverer”! The refugee reception centre on Christmas Island is another such place. Since 2001, the Australian government has detained asylum seekers here to deny them their right to regular admission procedures on the continent. The crabs continue amazed.

We are brought face to face with this amazement in the powerful images, sounds and metaphors of Gabrielle Brady’s cinematic reflection on the right to hospitality and forbearance – poetically condensed, emotionally haunting and politically poignant. First in the shape of trauma therapist Poh Lin, who helps the inmates of the detention camp come to terms with their fate while she herself is struggling to maintain composure. Then as the mythical story of the wandering spirits of the dead, told by the Chinese immigrants. And finally as a sprawling, teeming, unimpressed nature that grows and crawls wherever it pleases.

Sylvia Görke


Nominated for the Goethe-Institut Documentary Film Prize