A hypothesis: if archaeologists had ever come across footage of the crucifixion of Christ, it could have looked like this.

There’s a lot to fear: rain, bounced checks or the imminent end of the world. An uncomfortable found footage film, inspired by a poem.

Another film starring Ella, now four years old. The message: careful when you choose professions for your own kids!

It could have been romantic if not for the permanent disruptions by thoughts, insects and other creatures.

An examination of Jewish identity, persecution and mortality – started by the editor Stacey Ross, who died while working on this film.

Mary Shelley’s Frankenstein and Boris Karloff’s interpretation on film. A “monster” becomes human. A cross media essay from 2003.

“The idea for the film began when I came across an image of Hitler eating. I was disturbed by the image of this monstrous person doing something so human.” (Jay Rosenblatt)

An ironic tribute to Anita Bryant: advertising icon, former beauty queen and activist in the American anti-gay movement.

Jay Rosenblatt and his daughter Ella, aged two, on a trip to the ice cream parlour. Ella’s shirt is nice and clean at the start and totally filthy at the end.

Oh yes and oh no, to be a father. A former filmmaker follows his new vocation. 18 months in the lives of a father and his daughter.

Ella Rosenblatt, first two and a half, then four, dressed as the Tramp. Another documentary family comedy.

Decisions without alternatives, daily dilemmas and real questions of trust.

An investigation of Christian anti-Semitism. A historic found footage montage and an autobiographical essay, too.

A cat has nine lives. It’s dreaming of the previous eight, lounging in the eternal now.

A 28-minute walk through the different stages of grief. A powerful work.

A reaction to the events of September 11th, 2001, in New York City.