Denoise
Giorgio Ferrero, Federico Biasin
A Texas oil field, the engine room of an ocean freighter, an anechoic room, a waste incineration plant.
Film Archive
Denoise
A Texas oil field, the engine room of an ocean freighter, an anechoic room, a waste incineration plant – contrasting sceneries that are connected by the protagonists of this 360° collage film. They lead lonely lives, far removed from our own lifestyle. The quiet of the free field chamber clashes with the roaring of the engine room, but ultimately it’s all one.
Lars Rummel, Marie Hinkelmann
Lars Rummel, Marie Hinkelmann
HOMO DIGITALIS – Wie lange sind wir noch Mensch?
(none)
Austria,
France,
Germany,
Japan,
UK,
USA
2017
60 minutes
Credits
Andreas Martin, Dietmar Lyssy, Marcus Uhl
Christiane Miethge, Nils Otte
Kyrill Ahlvers, Tenzin Sherpa
Tim Sprado
Anna Hunger
Dagmar Petrus, Maik Siegle
Helen Fares
Thomas Sessner, Mustafa Isik (BR), Katja Ferwagner, Katja Dünnebacke, Aurélie Marx, Annina Zwettler (ARTE), Siegfried Steinlechner (ORF)
Miriam Mogge, Bernd Paulus, Max Karadeniz
Benny Nero
Phuoc Le, Lena Fischer
Christiane Miethge
Bernd Paulus, Phuoc Le, Lena Fischer
Anna Hunger, Sven Schulz
We live in times of upheaval. More and more technical innovations are part of our everyday life. But how dependent do we want to be? Or are we already addicted? Will there be a time when we have nothing but digital friendships, sex with robots, when we hack our own bodies? The transmedia project “HOMO DIGITALIS” consists of a documentary web series and a self testing game. How does the digital revolution affect us human beings? Does it turn Homo sapiens into a new species – Homo digitalis?
Notes to My Father
“We never talked about what happened to me there. But the truth is darker than any memory could be. So black that its silence haunts me. How do you go on living when you’ve played dead to escape reality for such a long time?”
This delicate 360-degree film takes us to India, into the life and memories of Ramadevi, a woman sold to sex traffickers under cover of an arranged marriage. She is one of the few who escaped the brothel and were reunited with their families. This piece is dedicated to her father, who gave away his daughter in the belief that he was giving her a better life.
DOK Neuland Audience Award
This delicate 360-degree film takes us to India, into the life and memories of Ramadevi, a woman sold to sex traffickers under cover of an arranged marriage. She is one of the few who escaped the brothel and were reunited with their families. This piece is dedicated to her father, who gave away his daughter in the belief that he was giving her a better life.
DOK Neuland Audience Award
Reimagine Belonging
(none)
Germany,
USA
2015
480 minutes
subtitles:
English
German
Credits
Christina Antonakos-Wallace
Olga Gerstenberger, Regina Knoll, Serkan Demiral, Manjiri Palicha, Lotti Schulz, Rachel Landry, Anna Baker
Ruslan Komjakov, Sergei Sapozhnikov, Alois Riezler
Ruslan Komjakov, Verena Snurer
Who are we? Where do we come from? “Reimagining Belonging” is a complex multimedia project which presents the different lives and routines of people with an immigrant background in New York and Berlin. Timed just right for the current debates, we also learn how global migration movements have changed and keep changing society in America and Europe.
The project was part of the first DOK Leipzig Net Lab in 2012 and is regularly supplemented with new interviews.
The project was part of the first DOK Leipzig Net Lab in 2012 and is regularly supplemented with new interviews.
The Maribor Uprisings: A Live Participatory Film
Credits
Maple Razsa, Joslyn Barnes
Maple Razsa, Milton Guillén
Tamarah Povh, Marko Lük, Jernej Mažgon
Milton Guillén
Mary Lampson, Milton Guillén
Maple Razsa, Andrej Kurnik
Kevin T. Allen, Ernst Karel
Iva Krajnc, Tibor Pandur
Liz Edwards
Arne Norris
“Twice we went into the streets. Twice the police drove us away. Twice the news media embedded behind the police lines portrayed us all as hooligans and criminals. Things looked different on our side of the police line.” The viewers find themselves in the middle of the third Maribor uprising in Slovenia. Stay on “Freedom Square” and protest peacefully with the others? Or put banners and whistles aside to have your hands free for a rougher form of protest? This participatory film forces its viewers again and again to choose – experienced individually in the exhibition and as a cinema experience with collective voting.
The Maribor Uprisings: A Live Participatory Film
Maple Razsa, Milton Guillén
The viewers find themselves in the middle of the third Maribor uprising in Slovenia. Stay on “Freedom Square” and protest peacefully with the others?
The Maribor Uprisings: A Live Participatory Film
Credits
Maple Razsa, Joslyn Barnes
Maple Razsa, Milton Guillén
Tamara Povh, Marko Lük, Jernej Mažgon
Milton Guillén
Mary Lampson, Milton Guillén
Maple Razsa, Andrej Kurnik
Kevin T. Allen, Ernst Karel
Iva Krajnc, Tibor Pandur
Liz Edwards
Arne Norris
“Twice we went into the streets. Twice the police drove us away. Twice the news media embedded behind the police lines portrayed us all as hooligans and criminals. Things looked different on our side of the police line.” The viewers find themselves in the middle of the third Maribor uprising in Slovenia. Stay on “Freedom Square” and protest peacefully with the others? Or put banners and whistles aside to have your hands free for a rougher form of protest? This participatory film forces its viewers again and again to choose – experienced individually in the exhibition and as a cinema experience with collective voting.
Published between 1936 and 1966, the “Green Book” was a survival guide for African-American U.S. citizens, recommending safe places to avoid racist hostility on domestic journeys. “Ben’s Chili Bowl” has been among those recommendations since 1958. The intimate corners of this Washington restaurant become spaces of reflection for the racist degradation existing even today.
Lars Rummel, Marie Hinkelmann
Lars Rummel, Marie Hinkelmann
