… sie bewegt uns alle
Kurt Stordel
An animation in praise of the Deutsche Mark as the solid currency to be trusted.
D
Film Archive
An animation in praise of the Deutsche Mark as the solid currency to be trusted.
Olaf Möller
Olaf Möller
Aus dem Alltag in der DDR: Dritter Versuch einer Rekonstruktion
Carlheinz Caspari
Re-enactments (complete with ideological background) of current events in the GDR for FRG television.
Aus dem Alltag in der DDR: Dritter Versuch einer Rekonstruktion
Re-enactments (complete with ideological background) of current events in the GDR for FRG television: prime time in the Cold War.
Olaf Möller
Olaf Möller
Aus eigener Kraft
Franz Schroedter
Photo: Volkswagen Aktiengesellschaft | About the reconstruction of Wolfsburg and the Volkswagen factory.
Photo: Volkswagen Aktiengesellschaft | About the reconstruction of Wolfsburg and the Volkswagen factory.
Olaf Möller
Olaf Möller
Der heiße Frieden
Ferdinand Khittl
A modernistic essay about the free market economy. New (West-)German Cinema puts itself in the service of its state and its ideology.
A modernistic essay about the free market economy. New (West-)German Cinema puts itself in the service of its state and its ideology.
Olaf Möller
Olaf Möller
Der Wiederaufbau der deutschen Wirtschaft 1945–1948
Rudolf Werner Kipp
How the foundations of the economic miracle were cast – a pleasantly dry chronicle of the first three post-war years.
Der Wiederaufbau der deutschen Wirtschaft 1945–1948
How the foundations of the economic miracle were cast – a pleasantly dry chronicle of the first three post-war years.
Olaf Möller
Olaf Möller
Der Wirtschaftswunderbaum
anonymous
Why everything is getting better and better with Konrad Adenauer and Ludwig Erhard – an animated campaign commercial for the CDU.
Credits
anonymous
Why everything is getting better and better with Konrad Adenauer and Ludwig Erhard – an animated campaign commercial for the CDU.
Olaf Möller
Olaf Möller
Die Reise der Ida Irma nach Lunow
Ricardo Íscar, Stephan Settele
A journey from Berlin Westhafen to Lunow, past the Eden reform estate and the clinkerworks of the Sachsenhausen concentration camp.
Die Reise der Ida Irma nach Lunow
Credits
Deutsche Film- und Fernsehakademie Berlin
Ricardo Íscar, Stephan Settele
Ricardo Íscar, Stephan Settele
Ricardo Íscar, Stephan Settele
A journey from Berlin Westhafen to Lunow, past the Eden reform estate and the clinkerworks of the Sachsenhausen concentration camp. Fragments of memories, materialised in images and sounds.
Olaf Möller
Olaf Möller
Die Teilung aller Tage
Harun Farocki, Hartmut Bitomsky
An essay, modern in quite a different way, about the free market economy and its false promises. May the workers learn to resist.
Die Teilung aller Tage
Credits
An essay, modern in quite a different way, about the free market economy and its false promises. May the workers learn to resist.
Olaf Möller
Olaf Möller
Düsseldorf – Modisch, heiter, im Wind verspielt
Herbert Vesely
The North Rhine-Westphalian capital as the fashionable capital of couture, at eye level with Paris and Milan. All very tasteful.
Düsseldorf – Modisch, heiter, im Wind verspielt
The North Rhine-Westphalian capital as the fashionable capital of couture, at eye level with Paris and Milan. All very tasteful.
Olaf Möller
Olaf Möller
Our Nazi
Robert Kramer
Robert Kramer shot “Our Nazi” parallel to the shooting of Thomas Harlan’s “Gun Wound”.
Our Nazi
Robert Kramer shot “Our Nazi” parallel to the shooting of Thomas Harlan’s “Gun Wound”. While a former Nazi war criminal who feels no regret for his acts even today plays himself in “Gun Wound”, Robert Kramer observes this film experiment in which guilt, danger and self-endangerment constantly produce each other.
Ralph Eue
Ralph Eue
Wundkanal
Thomas Harlan
Fiction or document? Perhaps both, or something monstrous in-between. An old man is kidnapped and interrogated by his kidnappers. The old man is the actor who plays the mass murderer he is himself.
Wundkanal
Fiction or document? Perhaps both, or something monstrous in-between. An old man is kidnapped and interrogated by his kidnappers. The old man is the actor who plays the mass murderer he is himself. The film not only lays bare the protagonist’s biography but weaves connections from National Socialism to the death of the RAF prisoners in Stammheim. Contagious in every respect!
Ralph Eue
Ralph Eue