The normal small guy and the elsewhere perhaps equally normal big guy are inseparable. Together they tramp through the world, brimming with happiness. Their friendship defies gravity.

The young art investor is ecstatic about the meeting. There he hangs, Martin, beautiful, alluring, exciting. It’s almost like love. But can the relationship last?

A young woman in search of the lightness of being discovers gravity. Contentment floats only one metre above the ground. The full power of life, though, is found in space.

Flickering, passing patches of light. Blurred street views. Helpers manoeuvre homeless people into a minibus to save them from freezing to death. There’s not much more they can do.

Three differently coloured principles stalk, taste and wind around each other. Shapes become figures become shapes, creating a living energy field with an electronic sound.

A portrait of the Afro-Cuban poet Omar and of an isolated island state, captured in apparently timeless everyday observations on 16 mm stock.

A spectacle of visibility in the opera house foyer: checking oneself in the mirror, overzealous re-adjustments of one’s facial expression for a selfie, the inimitable coolness of aging cloakroom attendants.

A painter’s life without words, a still life that calls out to be completed, and tools that are beginning to fall from the artist’s hand. A quiet human life is cleared up.

What’s life in Guangzhou like? Everything can change at any time, a woman says. There are no laws in China. The providers of information are immigrants from various African nations.

The goddess of dawn has an affair with the god of war. The goddess of love condemns her rival to feel insatiable lust for mortals. An aesthetic and morbid puppet animation.

Lake Urmia in Iran used to be full of bathers. Today, hardly anything is left of the impressive body of water. This is a deathbed visit and a political commentary.