This political cartoon uses audio recordings from a demonstration of radical right-wing protesters against the liberal government of the time. The characters hold the so-called Arpad-striped flag which has fascist connotations

A foreigner enrols in a language school to study Hungarian. Throughout the film, the stock sentences and blatant socialist slogans of the Hungarian textbook for foreigners are put into the slow-witted hero’s mouth.

The journey leads to the conservative interwar period of the 1940s, the terror of World War II, the Communist personality cult and the campaign to increase labour productivity of the 1950s.

The story of the migration is told backwards, starting with the settlement of the migrants on U.S. soil and ending with their departure from the provincial railway station in Hungary.

A male narrator recounts the story of an “average” emancipated single mother in 1960s’ Budapest.

Abandoned homes in the most poverty-stricken part of the former miners’ colony of the city of Pécs are the venue and subject of this film. It intercuts graphics (instead of photos) with the personal appearance of Csaba Nemes as a reporter who deliberately becomes part of the story and the situation.

Waking up from his afternoon nap, a young man finds his computer bugged by the Romanian Communist Party.

The Komló settlement was a typical example of how unskilled Roma labour was exploited in the growing industrial mass production of the 1970s.

The spirit of a dead poet visits the old cafés of Budapest where he used to meet his fellow artists at the turn of the century.

The main character of the story is an angry janitor who wishes to apply dictatorial methods to control young tenants in “his” house to make everyone wear their hair short and come home early. The film is based on a fake radio interview.

Kindergarten children and primary school pupils try to describe what people commemorate on the Hungarian national holidays.

We peek into a man’s nightmares, in which the typical scenery of the Hungarian countryside is unfolding before our eyes. The grotesque nature of the man’s journey is enhanced by the narrator who supplies an interpretation of the surreal dreams.

“The artist selected ten episodes from the riots that marked the celebration of the 50th anniversary of the Hungarian Revolution.” (Maja and Reuben Fowkes)

A tableau of 40 individuals talking about everyday public and private issues. Their portraits are photographed, retraced and slightly distorted to give an ironic touch to what and how they say things.

An animated mockumentary about a yellow long distance coach that has turned into a phantom bus and terrorises the ageing population of the remote, poverty-stricken villages in Northern Hungary.

In the 1950s Kovásznai worked at the nationalised Hungarian mines and observed, wrote about and made drawings of the life there.