Impressive nature shots of the Lika region in the Croatian interior filmed over the four seasons form a contrast to the director’s off-screen autobiographical tale – four lost pregnancies, separation, and epilepsy.
A universal story of separation about two lovers who can’t live together. Complete with an excursion on the homophobia of Croatian everyday society.
This experimental documentary which addresses the materiality and technicality of images, takes a look at media history, exploring what happens with narratives slumbering in (television) archives.
In the dialect of the Island of Korčula, “mezostajun” means shoulder season, time of transition. Static shots taken with a 16mm camera show the deserted island after the season.
In her autobiographical documentary, the director addresses a dark chapter of Yugoslavian real socialism – the persecution of persons declared “politically unsuitable” and enemies of the people during the Tito era.
An aesthetic and image-political examination of the glorification of war and the annually recurring military demonstration of power – emancipatory, without dialogue and in black and white.
For decades, a couple managed a small pub at Sisak bus station, right next to the entrance of one of the once biggest steel mills in Eastern Europe. The film documents the last days before the Buffet Željezara closes
One of the most highly-frequented party beaches on the Croatian coast during peak season. The tourists exuberantly end their day; the locals begin to clean up.
Day and night Ljiljana, a young woman from the Croatian province of Slavonia, drives a taxi in the Croatian capital of Zagreb. Not only a portrait of contemporary Croatian society but also of a precarious existence.
This experimental documentary shows a garbage dump in a misty dawn on which not only people operate diggers, practise biology and protect the environment but seagulls go about their daily job, too.
