
A playful short portrait of the headstrong Croatian sculptor and feminist Marija Ujević Galetović and her sensual sculptures.
A playful short portrait of the headstrong Croatian sculptor and feminist Marija Ujević Galetović and her sensual sculptures.
The Ukraine painted with a wicked and therefore perhaps honest pen: deluded patriots, dumb adolescents and plastic bags that suddenly stick to everyone’s heads.
What are the practices and media of state control? They are based on data and they are functional. But they are also beautifully designed and lyrical. Because a fighter pilot is also a kind of conductor.
Nervous flickering and blinking until both shell and form dissolve. A vivisection under the cinematic microscope, using painting, animation and sound as surgical instruments.
25 years ago a woman was wrongfully imprisoned. In her recurring dreams, re-enacted for the film, she meets three people: her mother, a friend and a stranger.
Vaginas turn into penises, penises into vaginas, vaginas into … Or is it just a blossom after all? Lots of modification, morphing, twisting. The common denominator: grace.
A walk through an arsonist’s head. A documentary essay in everyday and thermal images, about matchsticks and a burning flat.
Sheep in front of barbed wire, cared for by a young man who is serving a long sentence in a Northern Irish prison for violent crimes. A look into a touching and poetic world in-between.
A dusty plain, as smooth as a sheet of paper, with a horse and rider on it, as fast as an arrow, almost weightless. But this is only training; the big race is yet to come.
Anouchka talks about her long-term alcohol addiction, which she tries to overcome in an autofictional screenplay. Reading, speaking and first person narrative gradually begin to mix.
Ambling through the gray landscapes of industry, traffic and the port of Zaporizhia, Ukraine, the flaneur catches the shapes of the city, orders them and seasons them with poetic interventions.
The dream of the end of immigration from Mexico in eight architectural prototypes. Beige, blue, concrete, steel, ridiculous against the backdrop of an unlimited landscape.
Hands in movement. Fingers typing, grasping, turning screws. But the object is missing. An experimental animation and musical pantomime about our sense of touch.
The portrait of a blind, unkempt woman, filmed in her realm, which confronts us viewers with our set of viewing habits and aesthetic rules.
Nowadays, fauna and flora are inextricably entangled with the industry. A small movement study as a serious but tongue-in-cheek parable on Muybridge’s pioneering work with the “moving” image.
A young woman returns to her childhood home in Montenegro after seventeen years. A personal and performative journey into the unconscious, in a country marked by the traces of war.