Film Archive

Sections (Film Archive)

Jahr

International Programme
Amerykanka. All included Viktar Korzoun

Prison life in the dreaded KGB headquarters of Minsk, told by dissident poet Alyaksandr Fyaduta in front of an animated, cartoon-like prison backdrop. A bitter satire à la Erofeyev.

2013

Amerykanka. All included

Animadoc
Belarus
2013
52 minutes
subtitles: 
English
Credits DOK Leipzig Logo
Kasia Kamockaja
Viktar Korzoun
Natalia Shyrko, Eugene Yellow
Viktar Tumar
Viktar Korzoun, Anatoly Todorsky
Alexander Fyaduta, Viktar Korzoun
Taras Senchuk
The “Amerykanka” is the headquarters and notorious torture centre of the KGB in Minsk, the capital of Belarus, the last dictatorship in Europe. Immediately following a protest against the results of the presidential elections of 19 December, 2010, a number of opposition members were arrested, among them Alyaksandr Fyaduta. He was detained at the “Amerykanka” over a period of three months, 50 days of which he spent in solitary confinement. During that time he wrote “American Poems”, the book on which this courageous and formally unusual film by Viktar Korzun is based. It revolves around Alyaksandr Fyaduta: his arrest, interrogations, humiliations, life in prison, though he appears not in a traditional interview setting but as an active agent in front of and in animated prison scenery. The real live image of the “slightly overweight protagonist with glasses”, as Fyaduta self-deprecatingly describes himself, constantly changes into his animated alter ego and vice versa. The way this artistic device, born out of the lack of a real location, is realised reveals a strong taste for playfulness and creates a surprisingly ironic distance both to the events and the state of the country. And perhaps mockery is the only possible attitude left in the face of a government that arrests people, as recently happened, merely for clapping their hands silently and in public.
Matthias Heeder

The annotations to the films in the Official Selection were written by the members of the selection committee and guest authors. All quotes from DOK Leipzig catalogue articles must be identified as such and cite the author’s name. Some original titles and names have been transcribed resp. transliterated. We apologise that we cannot cite individual image sources and rights in our festival publications or festival coverage. Please note that the visual material is published exclusively for the purposes of promoting specific films or festival programmes. No transmission to third parties is provided and would only take place with the explicit agreement of the owners of the rights. The rights to the images lie with the respective copyright owners.

Animadoc
Broken Branches Ayala Ben-Nachum Sharot

This is the story of Michal Rechter. She was only 14 when she left her home in Poland and travelled to Israel by herself on the eve of the Second World War.

2014

Broken Branches

Animadoc
Israel
2014
25 minutes
subtitles: 
English
Credits DOK Leipzig Logo
Amit Gicelter
Ayala Ben-Nachum Sharot
Frank Ilfman
Ayala Ben-Nachum Sharot
Ayala Ben-Nachum Sharot
Ayala Ben-Nachum Sharot, Zoe Matzko, Alex Blau, Amit Gicelter
Ayala Ben-Nachum Sharot
Ronen Nagel
This is the story of Michal Rechter. She was only 14 when she left her home in Poland and travelled to Israel by herself on the eve of the Second World War. Her memories come to life in a colourful animation depicting her lonely transition from childhood to adulthood.

The annotations to the films in the Official Selection were written by the members of the selection committee and guest authors. All quotes from DOK Leipzig catalogue articles must be identified as such and cite the author’s name. Some original titles and names have been transcribed resp. transliterated. We apologise that we cannot cite individual image sources and rights in our festival publications or festival coverage. Please note that the visual material is published exclusively for the purposes of promoting specific films or festival programmes. No transmission to third parties is provided and would only take place with the explicit agreement of the owners of the rights. The rights to the images lie with the respective copyright owners.

Animadoc
Counting Days and Years Monne Lindström

When parents go to prison, children often don’t know how to cope with the situation. This film is a sensitive attempt to gain insight into the thoughts and emotions of three children who have to visit one parent in prison.

2014

Counting Days and Years

Animadoc
Sweden
2014
14 minutes
subtitles: 
English
Credits DOK Leipzig Logo
Kristina Meiton, Cristina Schadewitz
Monne Lindström
Alexander Palmestål
Kristina Meiton
Monne Lindström
Monne Lindström, Kristina Meiton, Cristina Schadewitz
Lars Wignell
When parents go to prison, children often don’t know how to cope with the situation. This film is a sensitive attempt to gain insight into the thoughts and emotions of three children who have to visit one parent in prison.

The annotations to the films in the Official Selection were written by the members of the selection committee and guest authors. All quotes from DOK Leipzig catalogue articles must be identified as such and cite the author’s name. Some original titles and names have been transcribed resp. transliterated. We apologise that we cannot cite individual image sources and rights in our festival publications or festival coverage. Please note that the visual material is published exclusively for the purposes of promoting specific films or festival programmes. No transmission to third parties is provided and would only take place with the explicit agreement of the owners of the rights. The rights to the images lie with the respective copyright owners.

Animadoc
Mend and Make Do Bexie Bush

Cup of tea? Come and take a seat in Lyn's cosy front room. Hear her story of love during wartime and watch as her belongings come alive with the hope, fear and humour of one spirited lady.

UK

GB
2014

Mend and Make Do

Animadoc
UK
2014
8 minutes
subtitles: 
No
Credits DOK Leipzig Logo
Timo Suomi
Bexie Bush
Arran Price
Adrian Peckitt
Pawel Slawek
Bexie Bush
Stefan Kaday
Neo Peterson
Cup of tea? Come and take a seat in Lyn's cosy front room. Hear her story of love during wartime and watch as her belongings come alive with the hope, fear and humour of one spirited lady.

The annotations to the films in the Official Selection were written by the members of the selection committee and guest authors. All quotes from DOK Leipzig catalogue articles must be identified as such and cite the author’s name. Some original titles and names have been transcribed resp. transliterated. We apologise that we cannot cite individual image sources and rights in our festival publications or festival coverage. Please note that the visual material is published exclusively for the purposes of promoting specific films or festival programmes. No transmission to third parties is provided and would only take place with the explicit agreement of the owners of the rights. The rights to the images lie with the respective copyright owners.

Animadoc
Rocks in My Pockets Signe Baumane

Strong women, dominant men, restrictive systems and psychological disorders. The story of a depression, drawn and narrated with a wealth of metaphors. Full of defiant humour.

2014

Rocks in My Pockets

Animadoc
Latvia,
USA
2014
88 minutes
subtitles: 
No
Credits DOK Leipzig Logo
Signe Baumane
Signe Baumane
Kristian Sensini
Wendy Cong Zhao
Signe Baumane, Sam Hayes, Jessica Polaniecki, Angela Stempel, Sturgis Warner, Eriq Wities
Signe Baumane
Weston Fonger
Signe Bauman is known for her open attitude towards taboos. Her films are explicit with a funny and ironic touch. So far she has told her stories only in the short format. “Rocks in My Pockets” is her first feature-length film and probably her most personal work, for the filmmaker takes a trip into her family’s past. She herself describes her latest work as “a funny film about depression”, but it’s probably more of a story about strong, independent women, domineering men, restrictive systems and mental illnesses that none of those involved take seriously. Her grandmother died mysteriously and the family remained silent about it. Signe assumes that she killed herself for she, too, suffers from depression and three of her cousins are mentally ill.
The filmmaker animates external influences and internal states of mind for her film, tries to make her own emotions and those of her fellow sufferers comprehensible to others and explains the connections between her personal and artistic emancipation and the process of coming to terms with the family secrets.
Annegret Richter

The annotations to the films in the Official Selection were written by the members of the selection committee and guest authors. All quotes from DOK Leipzig catalogue articles must be identified as such and cite the author’s name. Some original titles and names have been transcribed resp. transliterated. We apologise that we cannot cite individual image sources and rights in our festival publications or festival coverage. Please note that the visual material is published exclusively for the purposes of promoting specific films or festival programmes. No transmission to third parties is provided and would only take place with the explicit agreement of the owners of the rights. The rights to the images lie with the respective copyright owners.

Still Born

Animadoc
Sweden
2014
10 minutes
subtitles: 
English
Credits DOK Leipzig Logo
Mario Adamson
Åsa Sandzén
Katharina Nuttall
Albin Biblom
Åsa Sandzén
Åsa Sandzén, Kalle Sandzén
Åsa Sandzén
Mario Adamson, Agnieszka Lewalski
A pregnant soon-to-be mother is forced to choose whether her beloved child should try to live or not with a cardiac malformation. Feelings of anger, powerlessness and immense grief overwhelm her.



Golden Dove in the International Competition Animated Film 2014

The annotations to the films in the Official Selection were written by the members of the selection committee and guest authors. All quotes from DOK Leipzig catalogue articles must be identified as such and cite the author’s name. Some original titles and names have been transcribed resp. transliterated. We apologise that we cannot cite individual image sources and rights in our festival publications or festival coverage. Please note that the visual material is published exclusively for the purposes of promoting specific films or festival programmes. No transmission to third parties is provided and would only take place with the explicit agreement of the owners of the rights. The rights to the images lie with the respective copyright owners.

T's World: The Over-identification of Terry Thompson

Animadoc
France,
UK,
USA
2014
29 minutes
subtitles: 
No
Credits DOK Leipzig Logo
Ramon Bloomberg
Ramon Bloomberg
Ramon Bloomberg
Stark Haze
József Szimon, Balázs Őrley
On 18th October, 2011, the sheriff of Zanesville, Ohio, got an agitated phone call: the animals that eccentric Terry Thompson was legally keeping on his ranch were roaming the county. Red alert! That night, a heavily armed police force killed more than 56 bears, tigers, wolves, leopards and lions. Thompson had opened the cages, shot himself and offered his body as food to the animals. So far, so good, so American.
British media artist Ramon Bloomberg has turned this bizarre incident into a Brechtian story. Bloomberg combines Brecht’s play “The Yes Sayer” about traditional custom and formalised law with the American settler’s anarchical logic of freedom which fights every kind of state influence as an infringement on individual freedom: I am the lord of my animals, my land, my house, my family. End of story!
Bloomberg translates epic theatre into the language of film in the age of Play Station games. Real live shots are combined with images from the police car’s video camera, Google Earth data mining sequences and computer animated re-enactments. We hear minutes and statements of everyone involved as well as a comment taking the form of an (antique) chorus, the voice of the law, the neighbour and the animal. The only voice we don’t hear is Terry Thompson’s. His motives remain a big secret.

Matthias Heeder



Honorary Mention in the International Competition Animated Film 2014

The annotations to the films in the Official Selection were written by the members of the selection committee and guest authors. All quotes from DOK Leipzig catalogue articles must be identified as such and cite the author’s name. Some original titles and names have been transcribed resp. transliterated. We apologise that we cannot cite individual image sources and rights in our festival publications or festival coverage. Please note that the visual material is published exclusively for the purposes of promoting specific films or festival programmes. No transmission to third parties is provided and would only take place with the explicit agreement of the owners of the rights. The rights to the images lie with the respective copyright owners.

The Predicate and the Poppy

Animadoc
France
2013
24 minutes
subtitles: 
English
Credits DOK Leipzig Logo
Valérianne Boué, Luc Camili
Jeanne Paturle, Cécile Rousset
Thomas Dappelo
Mélanie Braux
Jeanne Paturle, Cécile Rousset
Jeanne Paturle, Cécile Rousset
Manuel Vidal
When knights parade up and down, unknown flying objects whirl through the air and the room suddenly turns into an impenetrable maze, we are in the classroom of an ordinary school on the outskirts of Paris. That’s roughly how five young teachers experience their first days on the job. And since words can hardly express what’s going on at a school, Jeanne Paturle and Cécile Rousset resort to a rich arsenal of animation techniques to translate this mixture of desperation, anarchy and chaos into images. Photo collages, cut out animation, plasticine and classic cartoon animation make historic personalities rise from the history books, reconstruct the Big Bang and make numbers begin to dance. The film literally explodes! But it aims at more and, above all, refuses to lament the dreadful state of education. Only when the teachers themselves become students, understanding the alphabet of the street and the key to every single student, can the nightmare of school perhaps turn into a space of freedom.
Cornelia Klauß

The annotations to the films in the Official Selection were written by the members of the selection committee and guest authors. All quotes from DOK Leipzig catalogue articles must be identified as such and cite the author’s name. Some original titles and names have been transcribed resp. transliterated. We apologise that we cannot cite individual image sources and rights in our festival publications or festival coverage. Please note that the visual material is published exclusively for the purposes of promoting specific films or festival programmes. No transmission to third parties is provided and would only take place with the explicit agreement of the owners of the rights. The rights to the images lie with the respective copyright owners.

White Death

Documentary Film
Chile
2014
17 minutes
subtitles: 
English
Credits DOK Leipzig Logo
Isabel Orellana Guarello
Roberto Collío
Roberto Collío
Matías Illanes
Roberto Collío
Jota Sandoval, Roberto González
Roberto Collío
Roberto Collío
The vivisection of a landscape: sombre black and white images unfurl panoramas of a scraggy mountain region. Narrow paths winding through the Andes, crosses decorating the wayside. The ruins of a barracks appear, once housing recruits who departed on a last exercise and were caught in a snow storm. Fragments of real live shots collide with extremely reduced animations. The film’s emulsion begins to pulse and dissolve. Sudden lightning destroys every trace of narrative. This is not the reconstruction of an event that happened in 2005, but the evocation of a nightmare of coldness and death that was irrevocably inscribed into the landscape.
Director Roberto Collío deftly and brilliantly experiments with different materials to evoke graphical analogies. He started out as a sound designer; so on the subtly wrought soundtrack the lonely death of a young soldier finds its long, sad echo in the diminishing sounds of a whistle.

Cornelia Klauß



Golden Dove Animated Documentary 2014

The annotations to the films in the Official Selection were written by the members of the selection committee and guest authors. All quotes from DOK Leipzig catalogue articles must be identified as such and cite the author’s name. Some original titles and names have been transcribed resp. transliterated. We apologise that we cannot cite individual image sources and rights in our festival publications or festival coverage. Please note that the visual material is published exclusively for the purposes of promoting specific films or festival programmes. No transmission to third parties is provided and would only take place with the explicit agreement of the owners of the rights. The rights to the images lie with the respective copyright owners.

Casa

Documentary Film
France
2013
54 minutes
subtitles: 
English
French
Credits DOK Leipzig Logo
Marc Faye, Gerald Leroux
Daniela De Felice
Matthieu Chatellier, Daniela De Felice
Alessandro Comodin, Daniela De Felice
Daniela De Felice
Daniela De Felice
Xavier Thibault
The house is crammed with objects of no great material value. Years after her father’s death, the director, her mother and brother clear the family home, once a promise of social advancement and now a place nobody wants to live in. The memories lie in the remains of everyday life and the junk of countless boxes of dusty entomological specimens. The mother tried to stop the passing of time by excessive collecting. And so the dialogues between the members of the family revolve around the big question of transience. Can memories be shared? What’s left of a life when the next generation attaches a different value to its objects? When memories disintegrate like the wings of the butterflies in their glass cases?
De Felice focuses on the process of remembrance and the question of what our memory retains. It’s not about the faces in the photographs, but the process of posing for the camera, filming and commenting. And the moments of silence while the camera is still running. And most of all the shape our memories assume. In this case, it’s the ink watercolours sketched by the director. Pared-down and delicate, sparingly animated from time to time, they do what only art can do: take us into the inner spaces where our families continue to live when all artefacts have long crumbled to dust.

Grit Lemke



Golden Dove Animated Documentary 2013

The annotations to the films in the Official Selection were written by the members of the selection committee and guest authors. All quotes from DOK Leipzig catalogue articles must be identified as such and cite the author’s name. Some original titles and names have been transcribed resp. transliterated. We apologise that we cannot cite individual image sources and rights in our festival publications or festival coverage. Please note that the visual material is published exclusively for the purposes of promoting specific films or festival programmes. No transmission to third parties is provided and would only take place with the explicit agreement of the owners of the rights. The rights to the images lie with the respective copyright owners.

Emergency Calls

Documentary Film
Finland
2013
15 minutes
subtitles: 
English
Credits DOK Leipzig Logo
Hannes Vartiainen, Pekka Veikkolainen
Hannes Vartiainen, Pekka Veikkolainen
Joonatan Portaankorva
Hannes Vartiainen, Pekka Veikkolainen
Hannes Vartiainen, Pekka Veikkolainen
Hannes Vartiainen, Pekka Veikkolainen
Hannes Vartiainen, Pekka Veikkolainen
Joonatan Portaankorva
What is your emergency? The question that’s at the start of every call to an emergency centre is also at the start of this film. Excited, sometimes desperate people on the soundtrack. The emergencies: precipitate labour, a multiple car crash. But also a killing spree and the last radio message of the “Estonia”. The call marks the boundary between life and death which – perhaps – will be crossed. It also depends on those who take it: embodied here by white figures lacking any status-generating symbols such as clothing or hair. Reduced to the naked, pure human being everything depends on. Or are they the Erinyes who hold our fate in their hands?
There is no blood, no images of disasters. We see NASA footage of earth as seen from space instead, clouds, lightshows, radar signals, pointedly distorted. What is one man’s need in view of the infinity of the universe? – Everything, claims this film which, like all works by the directing duo Vartiainen/Veikkolainen, defies categorisation. It reminds us of the conjunctive which runs through our secure lives in the shape of the potential for the worst case. The writing on the wall that silently hovers above us. Would have. Could have. What is your emergency?

Grit Lemke

The annotations to the films in the Official Selection were written by the members of the selection committee and guest authors. All quotes from DOK Leipzig catalogue articles must be identified as such and cite the author’s name. Some original titles and names have been transcribed resp. transliterated. We apologise that we cannot cite individual image sources and rights in our festival publications or festival coverage. Please note that the visual material is published exclusively for the purposes of promoting specific films or festival programmes. No transmission to third parties is provided and would only take place with the explicit agreement of the owners of the rights. The rights to the images lie with the respective copyright owners.

Eugenic Minds

Documentary Film
Czech Republic,
Slovakia
2013
76 minutes
subtitles: 
English
Credits DOK Leipzig Logo
Jiří Konečný
Pavel Štingl
Jaroslav Kořán
Miroslav Janek
Tonička Janková, Otakar Šenovský
Jan Míka
Pavel Štingl
Vladimír Chrastil
Expressive faces, body parts, anatomical associations. Human beings come in a variety of forms: “Some are smart, some are dumb, some are good-looking, some are ugly …” The term eugenics comes from the Greek. It means something like “good lineage” and is the term used for the science of improving genetic disposition by choosing the right sexual partner. In order to spare humanity “genetic burdens”, the smart and good-looking ones are chosen. If humans make the selection, they take “God’s work into their own hands”. The Third Reich used and expanded this science to serve its ideology, with the result that the term was avoided and at last forgotten. Captivating archive material, original animations and their graphic “insemination”, for example when the “transparent woman” frequently mingles with the crowds, reflect the narrative of a fascinating science practiced to the point of lunacy. This tale reveals more about the human species than any anthropometrical measurement ever could.

Claudia Lehmann

The annotations to the films in the Official Selection were written by the members of the selection committee and guest authors. All quotes from DOK Leipzig catalogue articles must be identified as such and cite the author’s name. Some original titles and names have been transcribed resp. transliterated. We apologise that we cannot cite individual image sources and rights in our festival publications or festival coverage. Please note that the visual material is published exclusively for the purposes of promoting specific films or festival programmes. No transmission to third parties is provided and would only take place with the explicit agreement of the owners of the rights. The rights to the images lie with the respective copyright owners.

Green Fingers

Animated Film
France
2012
4 minutes
subtitles: 
English
Credits DOK Leipzig Logo
Annick Teninge
Elsa Duhamel
Jeanine and Alain live in the north of France. Both come from Algeria and sometimes miss their home. That’s why they planted their own Mediterranean garden which they enjoy cultivating very much.

The annotations to the films in the Official Selection were written by the members of the selection committee and guest authors. All quotes from DOK Leipzig catalogue articles must be identified as such and cite the author’s name. Some original titles and names have been transcribed resp. transliterated. We apologise that we cannot cite individual image sources and rights in our festival publications or festival coverage. Please note that the visual material is published exclusively for the purposes of promoting specific films or festival programmes. No transmission to third parties is provided and would only take place with the explicit agreement of the owners of the rights. The rights to the images lie with the respective copyright owners.

Animadoc
It's Up to You Kajsa Næss

Childhood is an unbroken series of new challenges, which makes parental comfort and encouragement all the more important. But what if one’s father is absent for years or ...

2013

It's Up to You

Animadoc
Norway
2013
15 minutes
subtitles: 
English
Credits DOK Leipzig Logo
Lise Fearnley
Kajsa Næss
Kim Hiorthøy
Nina Strand, Lise Fearnley
Erik Aster, Torkel Gjørv
Tuva Synnevåg, Jan Otto Ertesvåg, Kajsa Næss, Cathinka Tanberg
Kajsa Næss
Svenn Jakobsen
Childhood is an unbroken series of new challenges, which makes parental comfort and encouragement all the more important. But what if one’s father is absent for years or forever, because he is in prison? An insightful film about growing up in a difficult family situation.

The annotations to the films in the Official Selection were written by the members of the selection committee and guest authors. All quotes from DOK Leipzig catalogue articles must be identified as such and cite the author’s name. Some original titles and names have been transcribed resp. transliterated. We apologise that we cannot cite individual image sources and rights in our festival publications or festival coverage. Please note that the visual material is published exclusively for the purposes of promoting specific films or festival programmes. No transmission to third parties is provided and would only take place with the explicit agreement of the owners of the rights. The rights to the images lie with the respective copyright owners.

Marcel, King of Tervuren

Animated Film
USA
2012
6 minutes
subtitles: 
No
Credits DOK Leipzig Logo
Tom Schroeder
Tom Schroeder
Phil Kline
Tom Schroeder
Ann Berckmoes
Tom Schroeder, Hilde de Roover, Reid Kruger
The true adventures of a proud Belgian cock whose will to survive and fighting spirit made a lasting impression on his owners.

The annotations to the films in the Official Selection were written by the members of the selection committee and guest authors. All quotes from DOK Leipzig catalogue articles must be identified as such and cite the author’s name. Some original titles and names have been transcribed resp. transliterated. We apologise that we cannot cite individual image sources and rights in our festival publications or festival coverage. Please note that the visual material is published exclusively for the purposes of promoting specific films or festival programmes. No transmission to third parties is provided and would only take place with the explicit agreement of the owners of the rights. The rights to the images lie with the respective copyright owners.

International Programme
Nae Pasaran Felipe Bustos Sierra

After the 1973 coup, Scottish workers refused to deliver engines for fighter planes to Chile. The reconstruction of a self-determined act of solidarity.

Nae Pasaran

Documentary Film
UK
2013
13 minutes
subtitles: 
English
Credits DOK Leipzig Logo
Rebecca Day
Felipe Bustos Sierra
Julian Schwanitz
Anne Milne
Frederic Plasman
Jack Coghill
What’s the connection between the military dictatorship in Chile and the workers of a Rolls Royce manufacturing plant in Scotland? Here are the known facts: when the workers learn after the 1973 coup in Chile that the machine parts they make are used in the Chilean junta’s fighter planes, they refuse to deliver them. According to later Chilean reports, however, the machines were deployed after all. The workers doubt it. What’s their secret? Director Felipe Bustos Sierra reconstructs the events like a thriller, focusing on three former Scottish workers who meet again at a pre-arranged place. He confronts them with the known facts and uses animated sequences to interpret what happened on the grounds of the factory under cover of night and fog. Combined with archive material from the 1970s, a tongue-in-cheek portrait of a self-determined act of solidarity among workers emerges.

Lars Meyer

The annotations to the films in the Official Selection were written by the members of the selection committee and guest authors. All quotes from DOK Leipzig catalogue articles must be identified as such and cite the author’s name. Some original titles and names have been transcribed resp. transliterated. We apologise that we cannot cite individual image sources and rights in our festival publications or festival coverage. Please note that the visual material is published exclusively for the purposes of promoting specific films or festival programmes. No transmission to third parties is provided and would only take place with the explicit agreement of the owners of the rights. The rights to the images lie with the respective copyright owners.